Raymond Eger

What are Raymond Eger's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Raymond Eger's films?

As of October 24, 2026, 3 of their 7 MovieCove titles stream on a subscription or free service, most on The Criterion Channel (2).

• The Criterion Channel2 titles, browse their movies on this service
  • Spirits of the Dead (1968) · producer
  • Plucking the Daisy (1956) · producer
• Pluto TV1 title, browse their movies on this service
  • The Legend of Frenchie King (1971) · producer · free
• Tubi1 title, browse their movies on this service
  • The Legend of Frenchie King (1971) · producer · free

Subscription and free streaming for Raymond Eger's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

• 

  The Legend of Frenchie King(1971)

  Producer

  Midcredits score: 25th percentile of all films25^th
• 

  Spirits of the Dead(1968)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  The Champagne Murders(1967)

  Producer

  Midcredits score: 35th percentile of all films35^th
• 

  Who Stole the Body?(1963)

  Producer

  Midcredits score: 6th percentile of all films (provisional, few ratings)~6^th
• 

  Blood and Roses(1960)

  Producer

  Midcredits score: 58th percentile of all films58^th
• 

  Be Beautiful But Shut Up(1958)

  Producer

  Midcredits score: 36th percentile of all films36^th
• 

  Plucking the Daisy(1956)

  Producer

  Midcredits score: 38th percentile of all films38^th

Career shape

Across their 7 MovieCove titles from 1956 to 1971.

Highest rated

Spirits of the Dead (1968)

Midcredits 61^st

How do Raymond Eger's films land?

Their typical MovieCove film has a Midcredits score in the 36^th percentile, the median of all 7; across their 7 films with reception data, the typical film sits in the 42^nd percentile for acclaim.

Shape of the crowd

None of their 7 titles divides audiences: 2 are Crowd Pleasers.

1222

• Universally Panned1
• Crowd Pleaser2
• Broadly Agreed2
• Mixed2

Most loved · producer

Spirits of the Dead (1968)

Midcredits 61^st · 54% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Raymond Eger work with?

People who share at least 2 of Raymond Eger's MovieCove titles, grouped by what they did on them; Roger Vadim shares the most, 4.