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Mark Dindal

Mark Dindal

Writer, director and actor · Born May 31, 1960 (66) · Columbus, Ohio, USA

Mark Dindal (born in Columbus, Ohio) is an American effects animator and director, who created The Emperor's New Groove as well as Cats Don't Dance. He worked in many Disney classic projects as an effects animator, and also led the special effects for several classic movies such as The Little Mermaid and The Rescuers Down Under.

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Biography from TMDB.

Born
May 31, 1960 (66)
From
Columbus, Ohio, USA
Works as
Writer, director and actor
Titles
16 on MovieCove · 19 credits in all
TMDB popularity, last 155 days to Oct 26Down 10% in 30 days

What are Mark Dindal's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 0 · Dark 0

A split, not a type: Grounded 1 · Stylized 2 · Heightened 3

Gentle 4 · Charged 2 · Intense 0

Steady 4 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 1 · Funny 4

Slow burn 2 · Even-paced 3 · Relentless 1

Casual 6 · Engaged 0 · Full focus 0

Resolved 6 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
7
Warm
7
Hopeful
2
Thrilling
2
Absurd
2
Other
3

How their films end

  • Happy6
  • Bittersweet1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Mark Dindal's films?

As of October 24, 2026, 13 of their 16 MovieCove titles stream on a subscription or free service, most on Disney+ (10).

Subscription and free streaming for Mark Dindal's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 16 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Garfield Movie(2024)

    Director · Character Designer · Story Artist · as Sleep App Voice (voice)

    Midcredits score: 35th percentile of all films
  • Wonder Park(2019)

    Story Artist

    Midcredits score: 36th percentile of all films
  • Restrung(2014)

    Art Designer

    Midcredits score: 80th percentile of all films (provisional, few ratings)
  • The Emperor's New School(2006)

    Show Creator · Writer

    Midcredits score: 34th percentile of all shows
  • Kronk's New Groove(2005)

    Characters

    Midcredits score: 44th percentile of all films
  • Chicken Little(2005)

    Director · Story · as Morkubine Porcupine / Coach (voice)

    Midcredits score: 32nd percentile of all films
  • The Emperor's New Groove(2000)

    Director · Story · as Kitty Yzma (voice) (uncredited)

    Midcredits score: 93rd percentile of all films
  • Cats Don't Dance(1997)

    Director · Story · Storyboard Artist · as Max (voice)

    Midcredits score: 80th percentile of all films
  • The Rocketeer(1991)

    Animation Director

    Midcredits score: 67th percentile of all films
  • The Rescuers Down Under(1990)

    Visual Effects

    Midcredits score: 73rd percentile of all films
  • The Little Mermaid(1989)

    Visual Effects Supervisor

    Midcredits score: 94th percentile of all films
  • Midcredits score: 48th percentile of all films
  • The Brave Little Toaster(1987)

    Effects Supervisor

    Midcredits score: 85th percentile of all films
  • Sport Goofy in Soccermania (not in the MovieCove catalog yet)(1987)

    Visual Effects

  • The Great Mouse Detective(1986)

    Visual Effects

    Midcredits score: 87th percentile of all films
  • Mickey's Christmas Carol(1983)

    Visual Effects

    Midcredits score: 97th percentile of all films
  • The Flight of Dragons(1982)

    Animation

    Midcredits score: 90th percentile of all films
  • Luau (not in the MovieCove catalog yet)(1982)

    Animation

  • The Garfield Movie 2 (not in the MovieCove catalog yet)

    Director

Career shape

A full career of 19 titles, 18 of them dated from 1982 to 2024.

Film career

By role

only this rolewith another role
Acting4 of 19: 0 only acting, 4 with another roleDirecting5 of 19: 1 only directing, 4 with another roleWriting6 of 19: 2 only writing, 4 with another role · typical Midcredits score40thOther crew14 of 19: 12 only other crew, 2 with another role · typical Midcredits score80th

19 titles, 4 with more than one role — other crew and writing overlap on 2 of them.

By decade

1980s8 · crew1990s3 · 1 acting · 3 crew2000s4 · 2 acting · 4 crew2010s2 · crew2020s1 · 1 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Mark Dindal's films land?

Their typical MovieCove film has a Midcredits score in the 80th percentile, the median of all 15; across their 6 films with reception data, the typical film sits in the 67th percentile for acclaim.

Acclaim · how much people like their films

67thpercentile
Typical film, the median of 6

Approval · how many liked their films

56thpercentile
Typical film, the median of 6

Reach · how many have seen their films

94thpercentile
Typical film, the median of 6

Midcredits score across 16 titles, by percentile

  • 75th and up8
  • 50th to 74th2
  • 25th to 49th6

Shape of the crowd

5 of their 16 titles are Crowd Pleasers.

  • Universally Loved4
  • Cult Classic1
  • Crowd Pleaser5
  • Broadly Agreed2
  • Mixed4

Reviewers score the dialogue 64/100 and the plot and story 39/100 in their films, across 5 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Mark Dindal's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Their medianMedian of all films
Violence & Gore3 titlesmedian 33 · mildMedian of all films: 44
Sex & Nudity4 titlesmedian 20 · mildMedian of all films: 32
Profanity4 titlesmedian 15 · mildMedian of all films: 36
Alcohol & Drugs4 titlesmedian 15 · mildMedian of all films: 33
Frightening / Intense3 titlesmedian 37 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Mark Dindal work with?

People who share at least 2 of Mark Dindal's MovieCove titles, grouped by what they did on them; David Reynolds shares the most, 3.

Writers

Actors

Composers and editors

Producers

Mixed roles