- November 26, 1911
- April 5, 1999 (aged 87)
- South Africa
- Producer and writer
- 4 on MovieCove · 9 credits in all
What are Peter De Sarigny's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 0 · Serious 1 · Dark 3
Grounded 2 · Stylized 2 · Heightened 0
Gentle 0 · Charged 3 · Intense 1
Steady 1 · Shifting 2 · Whiplash 1
Straight-faced 3 · Some laughs 1 · Funny 0
Slow burn 2 · Even-paced 2 · Relentless 0
Casual 1 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 4 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Peter De Sarigny's films?
As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Peter De Sarigny's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
9 credits, 4 with a MovieCove page.
Waltz of the Toreadors(1962)
Midcredits score: 27th percentile of all films
Never Let Go (not in the MovieCove catalog yet)(1960)
True as a Turtle (not in the MovieCove catalog yet)(1957)
Simba (not in the MovieCove catalog yet)(1955)
Malta Story(1953)
Midcredits score: 64th percentile of all films
Seven Days to Noon(1950)
Midcredits score: 78th percentile of all films
The Guinea Pig (not in the MovieCove catalog yet)(1948)
Brighton Rock (not in the MovieCove catalog yet)(1948)
Fame Is the Spur(1947)
Midcredits score: 71st percentile of all films
Career shape
A full career of 8 titles from 1948 to 1962.
How do Peter De Sarigny's films land?
Their typical MovieCove film has a Midcredits score in the 68th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 69th percentile for acclaim.
- 75th and up1
- 50th to 74th2
- 25th to 49th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Reviewers score the dialogue 50/100 and the plot and story 54/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Peter De Sarigny work with?
People who share at least 2 of Peter De Sarigny's MovieCove titles, grouped by what they did on them; Roy Boulting shares the most, 2.
Directors
- Roy BoultingShared titles: Seven Days to Noon (1950), Fame Is the Spur (1947)See all 2 shared titles with Roy Boulting
Writers
- Nigel BalchinShared titles: Malta Story (1953), Fame Is the Spur (1947)See all 2 shared titles with Nigel Balchin
Actors
- Hugh BurdenShared titles: Malta Story (1953), Fame Is the Spur (1947)See all 2 shared titles with Hugh Burden
Producers
- John BoultingShared titles: Seven Days to Noon (1950), Fame Is the Spur (1947)See all 2 shared titles with John Boulting
