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Jon Davison

Jon Davison

Producer and actor · Born January 21, 1941 (85)

Jon Davison was born on July 21, 1949 in Haddonfield, New Jersey. Davison studied at New York University's Film Institute, where one of his instructors was director Martin Scorsese. While attending NYU Jon staged film retrospectives at the Fillmore East in the East Village. Davison began his career running the St. Marks Cinematheque movie theater in New York. Fellow NYU classmate and future film director Jonathan Kaplan suggested to Jon that he move to Los Angeles, California. In 1972 Davison hooked up with Roger Corman's prolific B-flick outfit New World Pictures, where he initially was the director of advertising and publicity. Davison made his debut as associate producer of "Big Bad Mama." He went on to produce the hilarious exploitation feature parody "Hollywood Boulevard," Ron Howard's delightful directorial debut "Grand Theft Auto," and Joe Dante's terrific tongue-in-cheek killer animal treat "Piranha" for New World Pictures. Jon left New World Pictures in 1980. He produced the uproarious comedies "Airplane!" and "Top Secret!" for Jim Abrahams and the Zucker brothers. Davison subsequently produced the excellent and exciting science fiction cult favorites "RoboCop" and "Starship Troopers" for director Paul Verhoeven. He went on to produce sequels for those two films. In addition, Jon handled second unit director chores on both "Rock'n'Roll High School" and "The Howling." Moreover, Jon Davison has popped up in small parts in a few movies; he's especially memorable as the tinny metallic voice of the murderous malfunctioning robot ED-209 in "RoboCop."

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Biography from TMDB.

Born
January 21, 1941 (85)
Works as
Producer and actor
Titles
14 on MovieCove · 21 credits in all
TMDB popularity, last 37 days to Oct 26Up 26% in 30 days

What are Jon Davison's films like?

Across their 14 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 14 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 3 · Wry 2 · Earnest 7

A split, not a type: Light 7 · Serious 4 · Dark 3

A split, not a type: Grounded 6 · Stylized 3 · Heightened 5

A split, not a type: Gentle 3 · Charged 2 · Intense 9

Steady 4 · Shifting 5 · Whiplash 5

Straight-faced 3 · Some laughs 7 · Funny 4

A split, not a type: Slow burn 2 · Even-paced 5 · Relentless 7

Casual 7 · Engaged 7 · Full focus 0

Resolved 10 · Open-ended 3 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
10
Thrilling
7
Absurd
5
Joyful
4
Dread
4
Other
8

How their films end · 2 with a twist

  • Happy5
  • Bittersweet6
  • Tragic1
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jon Davison's films?

As of October 24, 2026, 11 of their 14 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Jon Davison's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 14 with a MovieCove page; 8 appearances as themselves are hidden until asked for.

  • By Kevin Thomas (not in the MovieCove catalog yet)(2024)

    Producer

  • Searchers 2.0 (not in the MovieCove catalog yet)(2010)

    Producer

  • Midcredits score: 2nd percentile of all films
  • The 6th Day(2000)

    Producer

    Midcredits score: 36th percentile of all films
  • Starship Troopers(1997)

    Producer · as Buenos Aires Survivor (uncredited)

    Midcredits score: 89th percentile of all films
  • Trapped in Paradise(1994)

    Producer

    Midcredits score: 33rd percentile of all films
  • RoboCop 2(1990)

    Producer

    Midcredits score: 35th percentile of all films
  • Face Like a Frog (not in the MovieCove catalog yet)(1988)

    Producer

  • RoboCop(1987)

    Executive Producer · as ED-209 (voice) (uncredited)

    Midcredits score: 95th percentile of all films
  • Top Secret!(1984)

    Producer

    Midcredits score: 87th percentile of all films
  • Midcredits score: 57th percentile of all films
  • White Dog(1982)

    Producer

    Midcredits score: 80th percentile of all films
  • Airplane!(1980)

    Producer

    Midcredits score: 95th percentile of all films
  • Rock 'n' Roll High School(1979)

    Second Unit Director

    Midcredits score: 70th percentile of all films
  • Piranha(1978)

    Producer

    Midcredits score: 38th percentile of all films
  • Thunder and Lightning (not in the MovieCove catalog yet)(1977)

    Post Production Supervisor

  • Grand Theft Auto(1977)

    Producer

    Midcredits score: 25th percentile of all films
  • Hollywood Boulevard (not in the MovieCove catalog yet)(1976)

    Producer

  • Tidal Wave (not in the MovieCove catalog yet)(1975)

    Actor

  • Big Bad Mama(1974)

    Producer

    Midcredits score: 35th percentile of all films
  • The Movie Orgy (not in the MovieCove catalog yet)(1968)

    Producer

Career shape

A full career of 19 titles from 1968 to 2024.

By role

only this rolewith another role
Acting3 of 19: 1 only acting, 2 with another roleProducing16 of 19: 14 only producing, 2 with another role · typical Midcredits score38thOther crew2 of 19: 2 only other crew, 0 with another role

By decade

1960s1 · crew1970s6 · 1 acting · 5 crew1980s5 · 1 acting · 5 crew1990s3 · 1 acting · 3 crew2000s2 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jon Davison's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 14; across their 14 films with reception data, the typical film sits in the 51st percentile for acclaim.

Acclaim · how much people like their films

51stpercentile
Typical film, the median of 14

Approval · how many liked their films

46thpercentile
Typical film, the median of 14

Reach · how many have seen their films

94thpercentile
Typical film, the median of 14

Midcredits score across 14 titles, by percentile

  • 75th and up5
  • 50th to 74th2
  • 25th to 49th6
  • Below 25th1

Shape of the crowd

None of their 14 titles divides audiences: 5 are Crowd Pleasers.

  • Universally Loved2
  • Universally Panned1
  • Crowd Pleaser5
  • Broadly Agreed4
  • Mixed2

Reviewers score the acting 58/100 in their films, across 13 reviewed titles; fans 69, detractors 34. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jon Davison's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles30–95 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles14–63 · median 50 · moderateheavier than most filmsMedian of all films: 32
Profanity12 titles34–77 · median 49 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles27–70 · median 38 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles12–84 · median 67 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jon Davison work with?

People who share at least 2 of Jon Davison's MovieCove titles, grouped by what they did on them; Joe Dante shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles