- November 15, 1948
- April 22, 1998 (aged 49)
- Iowa, USA
- Producer, also writer
- 15 on MovieCove · 18 credits in all
What are Jack Cummins' films like?
Across their 12 MovieCove titles with a thematic analysis, their films lean Morality and Power.
Genres
Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.
Themes
What they feel like to watch
A split, not a type: Ironic 2 · Wry 1 · Earnest 8
A split, not a type: Light 7 · Serious 2 · Dark 3
Grounded 3 · Stylized 7 · Heightened 2
A split, not a type: Gentle 3 · Charged 4 · Intense 5
Steady 3 · Shifting 6 · Whiplash 3
A split, not a type: Straight-faced 3 · Some laughs 4 · Funny 5
Slow burn 2 · Even-paced 10 · Relentless 0
Casual 8 · Engaged 4 · Full focus 0
Easy watch 7 · Affecting 4 · Heavy 1
Resolved 11 · Open-ended 1 · Ambiguous 0
Moods and endings
- Happy9
- Bittersweet2
- Ambiguous1
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Jack Cummins' films?
As of October 24, 2026, 8 of their 15 MovieCove titles stream on a subscription or free service, most on Tubi (4).
Subscription and free streaming for Jack Cummins' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
18 credits, 15 with a MovieCove page.

Inventing the Abbotts(1997)
Midcredits score: 52nd percentile of all films
Down Periscope(1996)
Midcredits score: 53rd percentile of all films
The Scout(1994)
Midcredits score: 21st percentile of all films
Needful Things(1993)
Midcredits score: 50th percentile of all films
Amos & Andrew(1993)
Midcredits score: 25th percentile of all films
The Addams Family(1991)
Midcredits score: 83rd percentile of all films
Midcredits score: 5th percentile of all films
Breaking In (not in the MovieCove catalog yet)(1989)

The Mighty Quinn(1989)
Midcredits score: 43rd percentile of all films
Stars and Bars(1988)
Midcredits score: 14th percentile of all films
Reform School Girls(1986)
Midcredits score: 27th percentile of all films
Runaway Train(1985)
Midcredits score: 85th percentile of all films
Not for Publication(1984)
Midcredits score: 17th percentile of all films
Chained Heat(1983)
Midcredits score: 17th percentile of all films
The Concrete Jungle(1982)
Midcredits score: 19th percentile of all films
The Luck of Roaring Camp (not in the MovieCove catalog yet)(1982)

Lovely But Deadly (not in the MovieCove catalog yet)(1981)

The Howling(1981)
Midcredits score: 64th percentile of all films
Career shape
A full career of 18 titles from 1981 to 1997.
Film career
- 1997Screen debut· Inventing the Abbotts
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Jack Cummins' films land?
Their typical MovieCove film has a Midcredits score in the 27th percentile, the median of all 15; across their 12 films with reception data, the typical film sits in the 28th percentile for acclaim.
- 75th and up2
- 50th to 74th4
- 25th to 49th3
- Below 25th6
Shape of the crowd
6 of their 15 titles are Crowd Pleasers.
- Universally Panned1
- Crowd Pleaser6
- Broadly Agreed3
- Mixed5
Reviewers score the dialogue 50/100 and the plot and story 36/100 in their films, across 12 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Jack Cummins' work okay for kids?
Across up to 8 MovieCove titles with content scores, violence & gore and sex & nudity run heavier than most films.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.
Who does Jack Cummins work with?
People who share at least 2 of Jack Cummins' MovieCove titles, grouped by what they did on them; Pat O'Connor shares the most, 2.
Directors
- Pat O'ConnorShared titles: Inventing the Abbotts (1997), Stars and Bars (1988)See all 2 shared titles with Pat O'Connor

- Tom DeSimoneShared titles: Reform School Girls (1986), The Concrete Jungle (1982)See all 2 shared titles with Tom DeSimone

Actors
- Harry Dean StantonShared titles: Down Periscope (1996), Stars and Bars (1988)See all 2 shared titles with Harry Dean Stanton

- Sybil DanningShared titles: Reform School Girls (1986), Chained Heat (1983)See all 2 shared titles with Sybil Danning

Composers and editors
- Anthony DiMarcoShared titles: Chained Heat (1983), The Concrete Jungle (1982)See all 2 shared titles with Anthony DiMarco
- Joseph ConlanShared titles: Chained Heat (1983), The Concrete Jungle (1982)See all 2 shared titles with Joseph Conlan

Producers
- Billy FineShared titles: Chained Heat (1983), The Concrete Jungle (1982)See all 2 shared titles with Billy Fine
- Mark L. RosenShared titles: Chained Heat (1983), The Concrete Jungle (1982)See all 2 shared titles with Mark L. Rosen
