- Producer and writer
- 3 on MovieCove
What are Antonio Cuevas' films like?
Across a limited sample of 3 MovieCove titles with a thematic analysis, their films lean Survival and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 3
Light 0 · Serious 0 · Dark 3
Grounded 0 · Stylized 3 · Heightened 0
Gentle 0 · Charged 2 · Intense 1
Steady 2 · Shifting 1 · Whiplash 0
Straight-faced 3 · Some laughs 0 · Funny 0
Slow burn 3 · Even-paced 0 · Relentless 0
Casual 0 · Engaged 3 · Full focus 0
Easy watch 0 · Affecting 2 · Heavy 1
Resolved 1 · Open-ended 1 · Ambiguous 1
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Antonio Cuevas' films?
As of October 24, 2026, all 3 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Antonio Cuevas' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
3 credits, 3 with a MovieCove page.
Sobrenatural(1981)
Midcredits score: 21st percentile of all films
Midcredits score: 29th percentile of all films
Devil's Exorcist(1975)
Midcredits score: 26th percentile of all films
Career shape
Across a limited sample of 3 MovieCove titles from 1975 to 1981.
How do Antonio Cuevas' films land?
Their typical MovieCove film has a Midcredits score in the 26th percentile, the median of all 3; across a limited sample of 3 films with reception data, the typical film sits in the 36th percentile for acclaim.
- 25th to 49th2
- Below 25th1
Shape of the crowd
None of their 3 titles divides audiences: 3 are Mixed.
- Mixed3
Reviewers score the dialogue 32/100 and the plot and story 32/100 in their films, across 3 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Antonio Cuevas work with?
People who share at least 2 of Antonio Cuevas' MovieCove titles, grouped by what they did on them; Eugenio Martín shares the most, 2.
Directors
- Eugenio MartínShared titles: Sobrenatural (1981), Aquella casa en las afueras (1980)See all 2 shared titles with Eugenio Martín
Writers
- Eduardo ÁlvarezShared titles: Sobrenatural (1981), Aquella casa en las afueras (1980)See all 2 shared titles with Eduardo Álvarez
Editors
- Pablo G. del AmoShared titles: Aquella casa en las afueras (1980), Devil's Exorcist (1975)See all 2 shared titles with Pablo G. del Amo
