- Writer and producer
- 4 on MovieCove · 5 credits in all
What are Douglas Cook's films like?
Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Self.
Themes
What they feel like to watch
Ironic 0 · Wry 0 · Earnest 4
Light 1 · Serious 2 · Dark 1
A split, not a type: Grounded 2 · Stylized 1 · Heightened 1
Gentle 1 · Charged 0 · Intense 3
Steady 1 · Shifting 3 · Whiplash 0
Straight-faced 1 · Some laughs 3 · Funny 0
Slow burn 0 · Even-paced 2 · Relentless 2
Casual 1 · Engaged 3 · Full focus 0
Easy watch 1 · Affecting 3 · Heavy 0
Resolved 4 · Open-ended 0 · Ambiguous 0
Moods and endings
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Douglas Cook's films?
As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service.
Subscription and free streaming for Douglas Cook's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
5 credits, 4 with a MovieCove page.

Criminal(2016)
Midcredits score: 48th percentile of all films
Double Jeopardy(1999)
Midcredits score: 61st percentile of all films
The Rock(1996)
Midcredits score: 90th percentile of all films
Holy Matrimony(1994)
Midcredits score: 16th percentile of all films
Payoff (not in the MovieCove catalog yet)(1991)
Career shape
A full career of 5 titles from 1991 to 2016.
How do Douglas Cook's films land?
Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 51st percentile for acclaim.
- 75th and up1
- 50th to 74th1
- 25th to 49th1
- Below 25th1
Shape of the crowd
None of their 4 titles divides audiences: 3 are Crowd Pleasers.
- Crowd Pleaser3
- Mixed1
Reviewers score the dialogue 43/100 and the plot and story 35/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Is Douglas Cook's work okay for kids?
Across a limited sample of up to 3 MovieCove titles with content scores.
Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.
Who does Douglas Cook work with?
People who share at least 2 of Douglas Cook's MovieCove titles, grouped by what they did on them; David Weisberg shares the most, 4.
Writers
- David WeisbergShared titles: Criminal (2016), Double Jeopardy (1999), The Rock (1996), Holy Matrimony (1994)See all 4 shared titles with David Weisberg
Actors
- Tommy Lee JonesShared titles: Criminal (2016), Double Jeopardy (1999)See all 2 shared titles with Tommy Lee Jones

Producers
- William StuartShared titles: The Rock (1996), Holy Matrimony (1994)See all 2 shared titles with William Stuart


