Terry Cole

What are Terry Cole's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Bonds and Morality.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Terry Cole's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service.

• MGM+1 title, browse their movies on this service
  • Three Kinds of Heat (1987) · cinematographer
• Prime Video1 title, browse their movies on this service
  • The Lady and the Highwayman (1988) · cinematographer
• The Roku Channel1 title, browse their movies on this service
  • The Lady and the Highwayman (1988) · cinematographer · free
• Tubi1 title, browse their movies on this service
  • The Lady and the Highwayman (1988) · cinematographer · free

Subscription and free streaming for Terry Cole's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Bullet to Beijing(1995)

  Cinematographer

  Midcredits score: 20th percentile of all films20^th
• 

  A Ghost in Monte Carlo(1990)

  Cinematographer

  Midcredits score: 51st percentile of all films51^st
• 

  The Lady and the Highwayman(1988)

  Cinematographer

  Midcredits score: 39th percentile of all films39^th
• 

  Three Kinds of Heat(1987)

  Cinematographer

  Midcredits score: 3rd percentile of all films3^rd

Career shape

Across a limited sample of 4 MovieCove titles from 1987 to 1995.

Highest rated

The Lady and the Highwayman (1988)

Midcredits 39^th

Most popular right now

A Ghost in Monte Carlo (1990)

How do Terry Cole's films land?

Their typical MovieCove film has a Midcredits score in the 30^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 29^th percentile for acclaim.

Shape of the crowd

3 of their 4 titles are Mixed.

13

• Universally Panned1
• Mixed3

Most divisive · cinematographer

The Lady and the Highwayman (1988)

68^th percentile spread · 20% rated it 4 or lower

Most loved · cinematographer

A Ghost in Monte Carlo (1990)

Midcredits 51^st · 62% liked

Reviewers score the cinematography 52/100 in their films, across 3 reviewed titles; fans 65, detractors 33. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Terry Cole work with?

People who share at least 2 of Terry Cole's MovieCove titles, grouped by what they did on them; John Hough shares the most, 2.