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Arthur Coburn

Arthur Coburn

Editor

Arthur Coburn is an editor.

Biography from TMDB.

Works as
Editor
Titles
26 on MovieCove · 31 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

What are Arthur Coburn's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

Genres

Drama8 titlesTypical Midcredits score: 54th percentile
: browse their Drama movies
Crime4 titlesTypical Midcredits score: 53rd percentile
: browse their Crime movies
Action3 titlesTypical Midcredits score: 92nd percentile, at or above their average across these genres
: browse their Action movies
Biography3 titlesTypical Midcredits score: 86th percentile, at or above their average across these genres
: browse their Biography movies
Comedy3 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Comedy movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Self
31%
Bonds
25%
Morality
16%
Survival
13%
Society
7%
Power
5%
Ideas
3%
Self-worth7 titles, browse their movies with this themeRomantic love7 titles, browse their movies with this themePurpose4 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeJustice5 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeFriendship2 titles, browse their movies with this themeCommunity3 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 2 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 14 · Stylized 4 · Heightened 3

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 4 · Charged 6 · Intense 11

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 6 · Shifting 14 · Whiplash 1

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 15 · Some laughs 4 · Funny 2

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 6 · Even-paced 12 · Relentless 3

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

A split, not a type: Casual 10 · Engaged 9 · Full focus 2

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 6 · Affecting 3 · Heavy 12

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 16 · Open-ended 5 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
14
Dread
6
Romantic
7
Melancholic
7
Warm
5
Other
22

How their films linger

Hopeful9 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteThought-provoking6 titles, browse their movies with this aftertasteBittersweet5 titles, browse their movies with this aftertasteDevastating4 titles, browse their movies with this aftertasteHaunting3 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy6
  • Bittersweet10
  • Tragic1
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Arthur Coburn's films?

As of October 24, 2026, 16 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (8).

Also on these channels

Subscription and free streaming for Arthur Coburn's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 26 with a MovieCove page.

  • Crossing Over(2009)

    Editor

    Midcredits score: 58th percentile of all films

  • Running Scared(2006)

    Editor

    Midcredits score: 82nd percentile of all films

  • Monster(2003)

    Editor

    Midcredits score: 90th percentile of all films

  • The Cooler(2003)

    Editor

    Midcredits score: 78th percentile of all films

  • Under the Tuscan Sun(2003)

    Editor

    Midcredits score: 74th percentile of all films

  • Winter Break(2003)

    Editor

    Midcredits score: 16th percentile of all films

  • Spider-Man(2002)

    Editor

    Midcredits score: 95th percentile of all films

  • The Weight of Water(2000)

    Additional Editing

    Midcredits score: 28th percentile of all films

  • The Gift(2000)

    Editor

    Midcredits score: 68th percentile of all films

  • For Love of the Game(1999)

    Editor

    Midcredits score: 60th percentile of all films

  • A Simple Plan(1998)

    Editor

    Midcredits score: 94th percentile of all films

  • Break Up(1998)

    Editor

    Midcredits score: 14th percentile of all films

  • A Price Above Rubies(1998)

    Editor

    Midcredits score: 58th percentile of all films

  • Dangerous Beauty(1998)

    Editor

    Midcredits score: 81st percentile of all films

  • Sunset Park(1996)

    Editor

    Midcredits score: 49th percentile of all films

  • Solomon & Sheba(1995)

    Editor

    Midcredits score: 37th percentile of all films

  • The Mask(1994)

    Editor

    Midcredits score: 80th percentile of all films

  • Roosters (not in the MovieCove catalog yet)(1993)

    Editor

  • American Me(1992)

    Editor

    Midcredits score: 86th percentile of all films

  • Talent for the Game(1991)

    Editor

    Midcredits score: 48th percentile of all films

  • Triumph of the Spirit(1989)

    Editor · as Rabbi

    Midcredits score: 72nd percentile of all films

  • Dominick and Eugene (not in the MovieCove catalog yet)(1988)

    Editor

  • We Are the Children(1987)

    Editor

    Midcredits score: 37th percentile of all films (provisional, few ratings)

  • Extremities(1986)

    Editor

    Midcredits score: 48th percentile of all films

  • Real Genius(1985)

    Additional Editing

    Midcredits score: 81st percentile of all films

  • Beverly Hills Cop(1984)

    Editor

    Midcredits score: 92nd percentile of all films

  • Wildrose (not in the MovieCove catalog yet)(1984)

    Editor

  • The Ballad of Gregorio Cortez (not in the MovieCove catalog yet)(1983)

    Editor

  • American Playhouse (not in the MovieCove catalog yet)(1982)

    Show 1 episode · Editor

  • Apocalypse Now(1979)

    Assistant Editor

    Midcredits score: 99th percentile of all films

  • One Flew Over the Cuckoo's Nest(1975)

    Assistant Editor

    Midcredits score: 99th percentile of all films

Career shape

A full career of 29 titles from 1975 to 2009.

Biggest box office

Spider-Man (2002)

$811M worldwide

Highest rated

Spider-Man (2002)

Midcredits 95th

Film career

By role

only this rolewith another role
Acting1 of 29: 0 only acting, 1 with another roleEditing25 of 29: 24 only editing, 1 with another role · typical Midcredits score73rdOther crew4 of 29: 4 only other crew, 0 with another role

By decade

1970s2 · crew1980s8 · 1 acting · 8 crew1990s11 · crew2000s8 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Arthur Coburn's films land?

Their typical MovieCove film has a Midcredits score in the 73rd percentile, the median of all 26; across their 21 films with reception data, the typical film sits in the 65th percentile for acclaim.

Acclaim · how much people like their films

65thpercentile
Typical film, the median of 21

Approval · how many liked their films

70thpercentile
Typical film, the median of 21

Reach · how many have seen their films

91stpercentile
Typical film, the median of 21

Midcredits score across 26 titles, by percentile

  • 75th and up12
  • 50th to 74th6
  • 25th to 49th6
  • Below 25th2

Shape of the crowd

16 of their 26 titles are Crowd Pleasers.

  • Universally Loved3
  • Cult Classic2
  • Crowd Pleaser16
  • Broadly Agreed1
  • Mixed4

Most divisive · editor

Solomon & Sheba (1995)

85th percentile spread · 28% rated it 4 or lower

Most loved · editor

Spider-Man (2002)

Midcredits 95th · 82% liked

Reviewers score the pacing 51/100 in their films, across 20 reviewed titles; fans 61, detractors 31. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Arthur Coburn's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, sex & nudity, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles41–94 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles35–77 · median 57 · moderateheavier than most filmsMedian of all films: 32
Profanity13 titles35–95 · median 72 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs10 titles32–83 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense11 titles33–88 · median 65 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Arthur Coburn work with?

People who share at least 2 of Arthur Coburn's MovieCove titles, grouped by what they did on them; Robert M. Young shares the most, 5.

Directors

Actors

Composers, cinematographers and editors

Producers

Mixed roles