Michael D. Castle

What are Michael D. Castle's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Self and Survival.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Michael D. Castle's films?

As of October 24, 2026, 2 of their 4 MovieCove titles stream on a subscription or free service, most on The Roku Channel (2).

• The Roku Channel2 titles, browse their movies on this service
  • Don't Answer the Phone! (1980) · writer, producer · free
  • Tomboy (1985) · producer · free
• Prime Video1 title, browse their movies on this service
  • Tomboy (1985) · producer

Subscription and free streaming for Michael D. Castle's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

• 

  Tomboy(1985)

  Producer

  Midcredits score: 12th percentile of all films12^th
• 

  My Tutor(1983)

  Producer

  Midcredits score: 16th percentile of all films16^th
• 

  The Beach Girls(1982)

  Producer

  Midcredits score: 19th percentile of all films19^th
• 

  Don't Answer the Phone!(1980)

  Producer · Writer

  Midcredits score: 13th percentile of all films13^th

Career shape

Across a limited sample of 4 MovieCove titles from 1980 to 1985.

Biggest box office

My Tutor (1983)

$23M worldwide

Highest rated

The Beach Girls (1982)

Midcredits 19^th

Most popular right now

My Tutor (1983)

How do Michael D. Castle's films land?

Their typical MovieCove film has a Midcredits score in the 15^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 18^th percentile for acclaim.

Shape of the crowd

4 of their 4 titles are Mixed.

4

• Mixed4

Most divisive · producer

The Beach Girls (1982)

63^rd percentile spread · 37% rated it 4 or lower

Most loved · producer

The Beach Girls (1982)

Midcredits 19^th · 28% liked

Reviewers score the dialogue 26/100 and the plot and story 21/100 in their films, across 4 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Michael D. Castle's work okay for kids?

Across a limited sample of up to 4 MovieCove titles with content scores.

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted.

Who does Michael D. Castle work with?

People who share at least 2 of Michael D. Castle's MovieCove titles, grouped by what they did on them; Marilyn Jacobs Tenser shares the most, 3.