Skip to content
MovieCove
Alessandro Camon

Alessandro Camon

Producer and writer

Works as
Producer and writer
Titles
18 on MovieCove · 21 credits in all

What are Alessandro Camon's films like?

Across their 18 MovieCove titles with a thematic analysis, their films lean Self and Morality.

What they feel like to watch

their average across 18 films
ToneFeelDemandtheir average · filled zone: the category

Light 2 · Serious 2 · Dark 14

A split, not a type: Grounded 8 · Stylized 6 · Heightened 4

Gentle 1 · Charged 6 · Intense 11

Steady 5 · Shifting 9 · Whiplash 4

Straight-faced 14 · Some laughs 3 · Funny 1

Slow burn 7 · Even-paced 7 · Relentless 4

Casual 5 · Engaged 9 · Full focus 4

A split, not a type: Easy watch 3 · Affecting 3 · Heavy 12

A split, not a type: Resolved 8 · Open-ended 6 · Ambiguous 4

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
9
Dread
8
Absurd
4
Contemplative
3
Other
15

How their films end · 5 with a twist

  • Happy2
  • Bittersweet9
  • Tragic2
  • Ambiguous5

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Alessandro Camon's films?

As of October 24, 2026, 13 of their 18 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Alessandro Camon's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

21 credits, 18 with a MovieCove page.

  • The Listener(2022)

    Screenplay

    Midcredits score: 33rd percentile of all films
  • Bullet to the Head(2012)

    Screenplay

    Midcredits score: 25th percentile of all films
  • The Messenger(2009)

    Writer

    Midcredits score: 82nd percentile of all films
  • Midcredits score: 69th percentile of all films
  • Mutant Chronicles(2008)

    Executive Producer

    Midcredits score: 19th percentile of all films
  • K. Il bandito (not in the MovieCove catalog yet)(2008)

    Writer

  • Sisters (not in the MovieCove catalog yet)(2006)

    Producer

  • Driving Lessons(2006)

    Producer

    Midcredits score: 66th percentile of all films
  • Midcredits score: 57th percentile of all films
  • Thank You for Smoking(2005)

    Executive Producer

    Midcredits score: 93rd percentile of all films
  • Undertow(2004)

    Executive Producer

    Midcredits score: 59th percentile of all films
  • Never Die Alone(2004)

    Producer

    Midcredits score: 32nd percentile of all films
  • Love Object(2003)

    Executive Producer

    Midcredits score: 49th percentile of all films
  • The Cooler(2003)

    Executive Producer

    Midcredits score: 78th percentile of all films
  • Owning Mahowny(2003)

    Producer

    Midcredits score: 82nd percentile of all films
  • American Psycho(2000)

    Co-Producer

    Midcredits score: 94th percentile of all films
  • The Crow: Salvation(2000)

    Executive Producer

    Midcredits score: 16th percentile of all films
  • New Rose Hotel(1998)

    Associate Producer · Executive Producer

    Midcredits score: 27th percentile of all films
  • The Blackout(1997)

    Executive Producer

    Midcredits score: 33rd percentile of all films
  • The Crow: City of Angels(1996)

    Executive Producer

    Midcredits score: 13th percentile of all films
  • Branded (not in the MovieCove catalog yet)

    Producer · Writer

Career shape

A full career of 19 titles, 18 of them dated from 1996 to 2024.

By role

only this rolewith another role
Writing5 of 19: 4 only writing, 1 with another roleProducing15 of 19: 14 only producing, 1 with another role · typical Midcredits score49th

By decade

1990s3 · crew2000s13 · crew2010s1 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Alessandro Camon's films land?

Their typical MovieCove film has a Midcredits score in the 53rd percentile, the median of all 18; across their 18 films with reception data, the typical film sits in the 49th percentile for acclaim.

Acclaim · how much people like their films

49thpercentile
Typical film, the median of 18

Approval · how many liked their films

57thpercentile
Typical film, the median of 18

Reach · how many have seen their films

89thpercentile
Typical film, the median of 18

Midcredits score across 18 titles, by percentile

  • 75th and up5
  • 50th to 74th4
  • 25th to 49th6
  • Below 25th3

Shape of the crowd

8 of their 18 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser8
  • Broadly Agreed1
  • Mixed7

Reviewers score the dialogue 50/100 and the plot and story 41/100 in their films, across 18 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Alessandro Camon's work okay for kids?

Across up to 14 MovieCove titles with content scores, violence & gore, sex & nudity, profanity, alcohol & drugs and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles34–87 · median 78 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity14 titles50–74 · median 60 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles66–88 · median 80 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs6 titles50–95 · median 76 · intenseheavier than most filmsMedian of all films: 33
Frightening / Intense6 titles35–84 · median 73 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Alessandro Camon work with?

People who share at least 2 of Alessandro Camon's MovieCove titles, grouped by what they did on them; Edward R. Pressman shares the most, 15.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles