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John Cameron

Composer · Born March 20, 1944 (82) · Woodford, Essex, England, UK

Born
March 20, 1944 (82)
From
Woodford, Essex, England, UK
Works as
Composer
Titles
26 on MovieCove · 43 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 19% in 30 days

What are John Cameron's films like?

Across their 24 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Comedy8 titlesTypical Midcredits score: 55th percentile, at or above their average across these genres
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 47th percentile
: browse their Drama movies
Action2 titlesTypical Midcredits score: 48th percentile
: browse their Action movies
Adventure2 titlesTypical Midcredits score: 40th percentile
: browse their Adventure movies
Crime2 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Crime movies
Horror2 titlesTypical Midcredits score: 49th percentile
: browse their Horror movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
37%
Survival
17%
Bonds
17%
Self
13%
Power
8%
Society
7%
Ideas
1%
Deception9 titles, browse their movies with this themeSurvival4 titles, browse their movies with this themeRomantic love3 titles, browse their movies with this themeGuilt4 titles, browse their movies with this themeFamily bonds3 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeFriendship3 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 12 · Serious 4 · Dark 8

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 11 · Stylized 9 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 8 · Charged 13 · Intense 3

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

A split, not a type: Steady 12 · Shifting 9 · Whiplash 3

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 10 · Some laughs 7 · Funny 7

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 15 · Even-paced 8 · Relentless 1

Casual: How much focus it asks of you — look away and lose the thread? Browse their casual movies.
Demand · Attention
casualfull focus

Casual 11 · Engaged 11 · Full focus 2

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 12 · Open-ended 10 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Absurd
8
Melancholic
10
Dread
6
Joyful
5
Other
20

How their films linger

Thought-provoking8 titles, browse their movies with this aftertasteFun7 titles, browse their movies with this aftertasteBittersweet7 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteHaunting5 titles, browse their movies with this aftertasteUnsettling5 titles, browse their movies with this aftertaste

How their films end · 7 with a twist

  • Happy4
  • Bittersweet10
  • Tragic4
  • Ambiguous6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John Cameron's films?

As of October 24, 2026, 16 of their 26 MovieCove titles stream on a subscription or free service, most on Tubi (15).

Also on these channels

Subscription and free streaming for John Cameron's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

43 credits, 26 with a MovieCove page; 1 appearance as themselves is hidden until asked for.

  • The Hatching(2014)

    Composer

    Midcredits score: 6th percentile of all films

  • The Path to 9/11 (not in the MovieCove catalog yet)(2006)

    Show 2 episodes · Composer

  • The Making of 'Amadeus' (not in the MovieCove catalog yet)(2002)

    Sound Recordist

  • To End All Wars(2001)

    Composer

    Midcredits score: 78th percentile of all films

  • Driftwood (not in the MovieCove catalog yet)(1997)

    Composer

  • Frankenstein(1992)

    Composer

    Midcredits score: 47th percentile of all films

  • The Alaska Kid (not in the MovieCove catalog yet)(1993)

    Show 13 episodes · Composer

  • Jekyll and Hyde(1990)

    Composer · Conductor

    Midcredits score: 42nd percentile of all films

  • Jack the Ripper (not in the MovieCove catalog yet)(1988)

    Show 2 episodes · Composer

  • Hawks(1988)

    Composer

    Midcredits score: 70th percentile of all films

  • The Secret Garden(1987)

    Composer

    Midcredits score: 85th percentile of all films

  • Mister Corbett's Ghost(1987)

    Composer

    Midcredits score: 63rd percentile of all films

  • Morons from Outer Space(1985)

    Conductor

    Midcredits score: 9th percentile of all films

  • The Jigsaw Man(1983)

    Composer

    Midcredits score: 11th percentile of all films

  • Witness for the Prosecution(1982)

    Composer

    Midcredits score: 82nd percentile of all films

  • The Mirror Crack'd(1980)

    Composer

    Midcredits score: 46th percentile of all films

  • The London Connection (not in the MovieCove catalog yet)(1979)

    Composer

  • Sunburn(1979)

    Composer

    Midcredits score: 18th percentile of all films

  • Lost and Found (not in the MovieCove catalog yet)(1979)

    Composer

  • The Bermuda Triangle (not in the MovieCove catalog yet)(1979)

    Composer

  • She Fell Among Thieves (not in the MovieCove catalog yet)(1978)

    Composer

  • The Thief of Baghdad(1978)

    Composer

    Midcredits score: 38th percentile of all films

  • Spectre (not in the MovieCove catalog yet)(1977)

    Composer

  • Nasty Habits (not in the MovieCove catalog yet)(1977)

    Composer

  • The Great Scout & Cathouse Thursday(1976)

    Composer

    Midcredits score: 49th percentile of all films

  • Pure as a Lily(1976)

    Composer

    Midcredits score: 3rd percentile of all films

  • I Will, I Will...For Now (not in the MovieCove catalog yet)(1976)

    Composer

  • Whiffs (not in the MovieCove catalog yet)(1975)

    Composer

  • Out of Season(1975)

    Composer

    Midcredits score: 40th percentile of all films

  • The Man from Nowhere(1976)

    Composer

    Midcredits score: 58th percentile of all films

  • Who? (not in the MovieCove catalog yet)(1974)

    Composer

  • Night Watch(1973)

    Composer

    Midcredits score: 55th percentile of all films

  • Hangover (not in the MovieCove catalog yet)(1973)

    Composer

  • A Touch of Class(1973)

    Composer

    Midcredits score: 61st percentile of all films

  • The Investigator (not in the MovieCove catalog yet)(1973)

    Composer

  • Scalawag (not in the MovieCove catalog yet)(1973)

    Composer

  • Charley-One-Eye(1973)

    Composer

    Midcredits score: 36th percentile of all films

  • The Death Wheelers(1973)

    Composer

    Midcredits score: 42nd percentile of all films

  • The Ruling Class(1972)

    Composer

    Midcredits score: 83rd percentile of all films

  • Kes(1969)

    Composer

    Midcredits score: 97th percentile of all films

  • Every Home Should Have One(1970)

    Composer

    Midcredits score: 19th percentile of all films

  • The Rise and Rise of Michael Rimmer(1970)

    Composer

    Midcredits score: 75th percentile of all films

  • Poor Cow(1967)

    Conductor

    Midcredits score: 74th percentile of all films

Career shape

A full career of 41 titles from 1967 to 2014.

Biggest box office

The Mirror Crack'd (1980)

$11M worldwide

Highest rated

Kes (1969)

Midcredits 97th

Most popular right now

To End All Wars (2001)

By role

only this rolewith another role
Music38 of 41: 37 only music, 1 with another role · typical Midcredits score47thOther crew4 of 41: 3 only other crew, 1 with another role

By decade

1960s1 · crew1970s25 · crew1980s7 · crew1990s4 · crew2000s3 · crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do John Cameron's films land?

Their typical MovieCove film has a Midcredits score in the 48th percentile, the median of all 26; across their 24 films with reception data, the typical film sits in the 50th percentile for acclaim.

Acclaim · how much people like their films

50thpercentile
Typical film, the median of 24

Approval · how many liked their films

48thpercentile
Typical film, the median of 24

Reach · how many have seen their films

55thpercentile
Typical film, the median of 24

Midcredits score across 26 titles, by percentile

  • 75th and up6
  • 50th to 74th6
  • 25th to 49th8
  • Below 25th6

Shape of the crowd

13 of their 26 titles are Crowd Pleasers.

  • Universally Loved1
  • Universally Panned1
  • Crowd Pleaser13
  • Broadly Agreed2
  • Mixed9

Most divisive · composer

The Hatching (2014)

65th percentile spread · 57% rated it 4 or lower

Most loved · composer

Kes (1969)

Midcredits 97th · 86% liked

Reviewers score the sound and music 62/100 in their films, across 19 reviewed titles; fans 69, detractors 39. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John Cameron's work okay for kids?

Across up to 6 MovieCove titles with content scores, 1 of the 3 categories sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore3 titlesmedian 35 · moderateMedian of all films: 44
Sex & Nudity6 titles18–48 · median 36 · moderatenear the median of all filmsMedian of all films: 32
Profanity3 titlesmedian 40 · moderateMedian of all films: 36

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John Cameron work with?

People who share at least 2 of John Cameron's MovieCove titles, grouped by what they did on them; David Korda shares the most, 3.

Directors

Writers

Actors

Cinematographers

Producers