- Writer, also producer
- 6 on MovieCove · 27 credits in all
What are Franco Bucceri's films like?
Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.
Themes
What they feel like to watch
Ironic 0 · Wry 2 · Earnest 4
A split, not a type: Light 2 · Serious 1 · Dark 3
Grounded 1 · Stylized 3 · Heightened 2
A split, not a type: Gentle 2 · Charged 1 · Intense 3
Steady 0 · Shifting 4 · Whiplash 2
A split, not a type: Straight-faced 3 · Some laughs 1 · Funny 2
Slow burn 0 · Even-paced 6 · Relentless 0
A split, not a type: Casual 3 · Engaged 1 · Full focus 2
A split, not a type: Easy watch 3 · Affecting 1 · Heavy 2
Resolved 4 · Open-ended 1 · Ambiguous 1
Moods and endings
- Happy2
- Bittersweet4
AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.
Where can I watch Franco Bucceri's films?
As of October 24, 2026, 4 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (3).
Subscription and free streaming for Franco Bucceri's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.
Filmography
27 credits, 6 with a MovieCove page.
Indio 2 - The Revolt (not in the MovieCove catalog yet)(1991)
Quelli del casco (not in the MovieCove catalog yet)(1988)
Carabinieri si nasce (not in the MovieCove catalog yet)(1985)
Let's Make It Clear (not in the MovieCove catalog yet)(1984)
Occhio, malocchio, prezzemolo e finocchio (not in the MovieCove catalog yet)(1983)
Gian Burrasca(1982)
Midcredits score: 26th percentile of all films
Vieni avanti cretino (not in the MovieCove catalog yet)(1982)
Good Like Bread (not in the MovieCove catalog yet)(1982)
Midcredits score: 12th percentile of all films
L'inquilina del piano di sopra (not in the MovieCove catalog yet)(1978)
California(1977)
Midcredits score: 64th percentile of all films
Vai col liscio (not in the MovieCove catalog yet)(1976)
Street People(1976)
Midcredits score: 19th percentile of all films
Sex Diary (not in the MovieCove catalog yet)(1976)
Giro girotondo... con il sesso è bello il mondo (not in the MovieCove catalog yet)(1975)
The Cat from Brooklyn Wants to Be a Detective (not in the MovieCove catalog yet)(1973)
Master of Love (not in the MovieCove catalog yet)(1972)
My Dear Killer(1972)
Midcredits score: 57th percentile of all films
Either All or None (not in the MovieCove catalog yet)(1968)
Garter Colt (not in the MovieCove catalog yet)(1968)
Eat It (not in the MovieCove catalog yet)(1968)
Requiescant(1967)
Midcredits score: 63rd percentile of all films
A Young World (not in the MovieCove catalog yet)(1966)
A Matter of Honor (not in the MovieCove catalog yet)(1966)
Scaramouche (not in the MovieCove catalog yet)(1965)
Una vita in gioco (not in the MovieCove catalog yet)(1965)
A Day for Lionhearts (not in the MovieCove catalog yet)(1961)
Career shape
A full career of 27 titles from 1961 to 1991.
Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.
How do Franco Bucceri's films land?
Their typical MovieCove film has a Midcredits score in the 42nd percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 46th percentile for acclaim.
- 50th to 74th3
- 25th to 49th1
- Below 25th2
Shape of the crowd
3 of their 6 titles are Crowd Pleasers.
- Crowd Pleaser3
- Broadly Agreed2
- Mixed1
Reviewers score the plot and story 48/100 in their films, across 5 reviewed titles; fans 57, detractors 31. The element that speaks to their work as a writer.
Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.
Who does Franco Bucceri work with?
People who share at least 2 of Franco Bucceri's MovieCove titles, grouped by what they did on them; Roberto Leoni shares the most, 5.
Writers
- Roberto LeoniShared titles: Gian Burrasca (1982), How to Lose a Wife and Find a Lover (1978), California (1977), Street People (1976), My Dear Killer (1972)See all 5 shared titles with Roberto Leoni
Actors
- Dana GhiaShared titles: California (1977), My Dear Killer (1972)See all 2 shared titles with Dana Ghia
- William BergerShared titles: California (1977), My Dear Killer (1972)See all 2 shared titles with William Berger
Composers and editors
- Gianni FerrioShared titles: How to Lose a Wife and Find a Lover (1978), California (1977)See all 2 shared titles with Gianni Ferrio
- Franco FraticelliShared titles: My Dear Killer (1972), Requiescant (1967)See all 2 shared titles with Franco Fraticelli
Producers
- Manolo BologniniShared titles: California (1977), Street People (1976), My Dear Killer (1972)See all 3 shared titles with Manolo Bolognini
- Luigi BorgheseShared titles: How to Lose a Wife and Find a Lover (1978), Street People (1976)See all 2 shared titles with Luigi Borghese