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George H. Brown

Producer and writer · Died January 3, 2001, aged 87 · London, England, UK

Born
July 24, 1913
Died
January 3, 2001 (aged 87)
From
London, England, UK
Works as
Producer and writer
Titles
16 on MovieCove · 30 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 6% in 30 days

What are George H. Brown's films like?

Across their 16 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Genres

Comedy5 titlesTypical Midcredits score: 58th percentile, at or above their average across these genres
: browse their Comedy movies
Action3 titlesTypical Midcredits score: 42nd percentile
: browse their Action movies
Crime3 titlesTypical Midcredits score: 25th percentile
: browse their Crime movies
Drama3 titlesTypical Midcredits score: 71st percentile, at or above their average across these genres
: browse their Drama movies
Adventure2 titlesTypical Midcredits score: 53rd percentile, at or above their average across these genres
: browse their Adventure movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Morality
42%
Survival
23%
Bonds
13%
Self
8%
Power
6%
Society
6%
Ideas
2%
Survival5 titles, browse their movies with this themeJustice4 titles, browse their movies with this themeDeception5 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeBetrayal3 titles, browse their movies with this themeCommunity3 titles, browse their movies with this themeDuty3 titles, browse their movies with this themeTrauma2 titles, browse their movies with this theme

What they feel like to watch

their average across 16 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 8 · Serious 4 · Dark 4

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 6 · Heightened 2

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 6 · Charged 8 · Intense 2

Steady: How much it swings between very different feelings. Browse their steady movies.
Feel · Swings
steadyswings

Steady 9 · Shifting 7 · Whiplash 0

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 10 · Some laughs 2 · Funny 4

Slow burn: How fast it moves from scene to scene. Browse their slow burn movies.
Demand · Pace
slowrelentless

Slow burn 9 · Even-paced 7 · Relentless 0

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 8 · Engaged 8 · Full focus 0

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 13 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Melancholic
5
Joyful
4
Contemplative
3
Absurd
3
Other
13

How their films linger

Fun7 titles, browse their movies with this aftertasteFeel-good6 titles, browse their movies with this aftertasteHopeful4 titles, browse their movies with this aftertasteUnsettling3 titles, browse their movies with this aftertasteRousing3 titles, browse their movies with this aftertasteThought-provoking2 titles, browse their movies with this aftertaste

How their films end · 3 with a twist

  • Happy8
  • Bittersweet7
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch George H. Brown's films?

As of October 24, 2026, 10 of their 16 MovieCove titles stream on a subscription or free service, most on Tubi (5).

Also on these channels

Subscription and free streaming for George H. Brown's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 16 with a MovieCove page.

  • Open Season(1974)

    Executive Producer

    Midcredits score: 42nd percentile of all films

  • Penny Gold(1973)

    Producer

    Midcredits score: 23rd percentile of all films

  • Innocent Bystanders(1972)

    Producer

    Midcredits score: 33rd percentile of all films

  • All Coppers Are... (not in the MovieCove catalog yet)(1972)

    Producer

  • In the Devil's Garden(1971)

    Producer

    Midcredits score: 25th percentile of all films

  • The Waiters (not in the MovieCove catalog yet)(1969)

    Producer

  • Up in the Air (not in the MovieCove catalog yet)(1969)

    Producer

  • A Ghost of a Chance (not in the MovieCove catalog yet)(1967)

    Producer

  • Finders Keepers(1966)

    Producer · Writer

    Midcredits score: 19th percentile of all films

  • The Trap(1966)

    Producer

    Midcredits score: 84th percentile of all films

  • Runaway Railway (not in the MovieCove catalog yet)(1965)

    Producer

  • Guns at Batasi (not in the MovieCove catalog yet)(1964)

    Producer

  • Go Kart Go (not in the MovieCove catalog yet)(1964)

    Producer

  • Ladies Who Do (not in the MovieCove catalog yet)(1963)

    Producer

  • Murder at the Gallop(1963)

    Producer

    Midcredits score: 89th percentile of all films

  • Murder She Said(1961)

    Producer

    Midcredits score: 91st percentile of all films

  • The Boy Who Stole a Million (not in the MovieCove catalog yet)(1960)

    Producer

  • Tommy the Toreador (not in the MovieCove catalog yet)(1959)

    Screenplay · Story

  • Rooney (not in the MovieCove catalog yet)(1958)

    Producer

  • Dangerous Exile(1957)

    Producer

    Midcredits score: 21st percentile of all films

  • Jacqueline(1956)

    Producer

    Midcredits score: 64th percentile of all films

  • Desperate Moment (not in the MovieCove catalog yet)(1953)

    Producer · Writer

  • Hotel Sahara(1951)

    Producer · Screenplay

    Midcredits score: 45th percentile of all films

  • The Chiltern Hundreds (not in the MovieCove catalog yet)(1949)

    Producer

  • Sleeping Car to Trieste(1948)

    Producer

    Midcredits score: 67th percentile of all films

  • Vice Versa(1948)

    Producer

    Midcredits score: 58th percentile of all films

  • Fame Is the Spur(1947)

    Producer

    Midcredits score: 71st percentile of all films

  • School for Secrets (not in the MovieCove catalog yet)(1946)

    Producer

  • Journey Together(1945)

    Producer

    Midcredits score: 60th percentile of all films

  • The 49th Parallel(1941)

    Assistant Production Manager · Producer

    Midcredits score: 87th percentile of all films

Career shape

A full career of 26 titles from 1941 to 1974.

Biggest box office

Murder She Said (1961)

$650 worldwide

Highest rated

Murder She Said (1961)

Midcredits 91st

Most popular right now

The Trap (1966)

By role

only this rolewith another role
Writing3 of 26: 2 only writing, 1 with another roleProducing23 of 26: 22 only producing, 1 with another role · typical Midcredits score50thOther crew1 of 26: 1 only other crew, 0 with another role

By decade

1940s5 · crew1950s4 · crew1960s12 · crew1970s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do George H. Brown's films land?

Their typical MovieCove film has a Midcredits score in the 59th percentile, the median of all 16; across their 16 films with reception data, the typical film sits in the 56th percentile for acclaim.

Acclaim · how much people like their films

56thpercentile
Typical film, the median of 16

Approval · how many liked their films

57thpercentile
Typical film, the median of 16

Reach · how many have seen their films

37thpercentile
Typical film, the median of 16

Midcredits score across 16 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th4
  • Below 25th3

Shape of the crowd

7 of their 16 titles are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser7
  • Broadly Agreed3
  • Mixed4

Most divisive · producer

Open Season (1974)

52nd percentile spread · 20% rated it 4 or lower

Most loved · producer

Murder She Said (1961)

Midcredits 91st · 82% liked

Reviewers score the dialogue 56/100 and the plot and story 50/100 in their films, across 16 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does George H. Brown work with?

People who share at least 2 of George H. Brown's MovieCove titles, grouped by what they did on them; David D. Osborn shares the most, 4.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles