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Thomas A. Bliss

Producer · Born December 13, 1952 (73)

Born
December 13, 1952 (73)
Works as
Producer
Titles
29 on MovieCove · 30 credits in all
TMDB popularity, last 37 days to Oct 26Up 8% in 30 days

What are Thomas A. Bliss' films like?

Across their 25 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 24 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 11 · Serious 4 · Dark 9

A split, not a type: Grounded 11 · Stylized 9 · Heightened 4

Gentle 7 · Charged 9 · Intense 8

Steady 11 · Shifting 11 · Whiplash 2

A split, not a type: Straight-faced 13 · Some laughs 7 · Funny 4

A split, not a type: Slow burn 11 · Even-paced 8 · Relentless 5

A split, not a type: Casual 12 · Engaged 9 · Full focus 3

A split, not a type: Easy watch 10 · Affecting 9 · Heavy 5

Resolved 19 · Open-ended 4 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Joyful
8
Dread
7
Warm
9
Melancholic
8
Other
29

How their films end · 3 with a twist

  • Happy9
  • Bittersweet9
  • Tragic3
  • Ambiguous4

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Thomas A. Bliss' films?

As of October 24, 2026, 16 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Subscription and free streaming for Thomas A. Bliss' titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

30 credits, 29 with a MovieCove page.

  • Midcredits score: 3rd percentile of all films
  • The Man with the Iron Fists(2012)

    Executive Producer

    Midcredits score: 24th percentile of all films
  • The Last Exorcism(2010)

    Producer

    Midcredits score: 33rd percentile of all films
  • Flash of Genius(2008)

    Producer

    Midcredits score: 77th percentile of all films
  • Children of Men(2006)

    Executive Producer

    Midcredits score: 97th percentile of all films
  • Slither(2006)

    Executive Producer

    Midcredits score: 64th percentile of all films
  • Dawn of the Dead(2004)

    Executive Producer

    Midcredits score: 86th percentile of all films
  • Bring It on: Again(2004)

    Producer

    Midcredits score: 14th percentile of all films
  • The Emperor's Club(2002)

    Executive Producer

    Midcredits score: 73rd percentile of all films
  • Tuck Everlasting(2002)

    Executive Producer

    Midcredits score: 67th percentile of all films
  • Spy Game(2001)

    Producer

    Midcredits score: 83rd percentile of all films
  • Thirteen Days(2000)

    Executive Producer

    Midcredits score: 88th percentile of all films
  • The Family Man(2000)

    Executive Producer

    Midcredits score: 74th percentile of all films
  • Bring It On(2000)

    Producer

    Midcredits score: 56th percentile of all films
  • End of Days(1999)

    Executive Producer

    Midcredits score: 30th percentile of all films
  • The Hurricane(1999)

    Executive Producer

    Midcredits score: 95th percentile of all films
  • Playing God(1997)

    Executive Producer

    Midcredits score: 28th percentile of all films
  • A Thousand Acres(1997)

    Executive Producer

    Midcredits score: 45th percentile of all films
  • Air Force One(1997)

    Executive Producer

    Midcredits score: 66th percentile of all films
  • Box of Moonlight(1996)

    Producer

    Midcredits score: 85th percentile of all films
  • The Baby-Sitters Club(1995)

    Executive Producer

    Midcredits score: 38th percentile of all films
  • Just Looking(1995)

    Producer

    Midcredits score: 5th percentile of all films
  • Princess Caraboo(1994)

    Executive In Charge Of Production

    Midcredits score: 41st percentile of all films
  • A Life in the Theatre(1993)

    Producer

    Midcredits score: 31st percentile of all films
  • Midcredits score: 80th percentile of all films
  • Christmas at Pee-wee's Playhouse(1988)

    Associate Producer

    Midcredits score: 94th percentile of all films
  • Liberace: Behind the Music(1988)

    Unit Production Manager

    Midcredits score: 38th percentile of all films
  • Dorothy Meets Ozma of Oz (not in the MovieCove catalog yet)(1987)

    Director

  • Glory Years(1987)

    Producer

    Midcredits score: 21st percentile of all films
  • Pee-wee's Playhouse(1986)

    Show Producer

    Midcredits score: 87th percentile of all shows

Career shape

A full career of 25 titles from 1987 to 2013.

By role

only this rolewith another role
Directing1 of 25: 1 only directing, 0 with another roleProducing22 of 25: 22 only producing, 0 with another role · typical Midcredits score65thOther crew2 of 25: 2 only other crew, 0 with another role

By decade

1980s3 · crew1990s10 · crew2000s9 · crew2010s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Thomas A. Bliss' films land?

Their typical MovieCove film has a Midcredits score in the 60th percentile, the median of all 28; across their 24 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 24

Approval · how many liked their films

55thpercentile
Typical film, the median of 24

Reach · how many have seen their films

91stpercentile
Typical film, the median of 24

Midcredits score across 29 titles, by percentile

  • 75th and up10
  • 50th to 74th6
  • 25th to 49th8
  • Below 25th5

Shape of the crowd

13 of their 29 titles are Crowd Pleasers.

  • Universally Loved3
  • Universally Panned1
  • Cult Classic1
  • Crowd Pleaser13
  • Broadly Agreed2
  • Mixed9

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Thomas A. Bliss' work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles6–93 · median 75 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles9–60 · median 39 · moderatenear the median of all filmsMedian of all films: 32
Profanity12 titles18–84 · median 64 · intenseheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles15–44 · median 29 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles10–90 · median 63 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Thomas A. Bliss work with?

People who share at least 2 of Thomas A. Bliss' MovieCove titles, grouped by what they did on them; Marc Abraham shares the most, 19.

Directors

Writers

Actors

Composers and cinematographers

Producers