Skip to content
MovieCove

Joel Blanco

Producer

Works as
Producer
Titles
7 on MovieCove

What are Joel Blanco's films like?

Across their 7 MovieCove titles with a thematic analysis, their films lean Self and Bonds.

What they feel like to watch

their average across 5 films
ToneFeelDemandtheir average · filled zone: the category

Light 3 · Serious 2 · Dark 0

A split, not a type: Grounded 3 · Stylized 0 · Heightened 2

Gentle 1 · Charged 4 · Intense 0

Steady 4 · Shifting 1 · Whiplash 0

A split, not a type: Straight-faced 2 · Some laughs 1 · Funny 2

A split, not a type: Slow burn 2 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 4 · Full focus 0

Resolved 5 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
3
Warm
2
Contemplative
3
Tense
2
Absurd
2
Other
5

How their films end

  • Happy3
  • Bittersweet3
  • Tragic1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Joel Blanco's films?

As of October 24, 2026, 4 of their 7 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for Joel Blanco's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 7 with a MovieCove page.

  • Not Her First Rodeo(2025)

    Show Producer

    Midcredits score: 44th percentile of all shows (provisional, few ratings)
  • The Last Five Years(2014)

    Producer

    Midcredits score: 48th percentile of all films
  • Wildlike(2014)

    Producer

    Midcredits score: 70th percentile of all films
  • Capers(2008)

    Producer

    Midcredits score: 18th percentile of all films
  • Harold(2008)

    Producer

    Midcredits score: 27th percentile of all films
  • Kappa Mikey(2006)

    Show Producer

    Midcredits score: 34th percentile of all shows
  • Way Off Broadway(2001)

    Producer

    Midcredits score: 39th percentile of all films

Career shape

Across their 7 MovieCove titles from 2001 to 2025.

By role

only this rolewith another role
Producing7 of 7: 7 only producing, 0 with another role · typical Midcredits score39th

By decade

2000s4 · crew2010s2 · crew2020s1 · crew

Counts over their MovieCove titles; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles, shown from 5 scored.

How do Joel Blanco's films land?

Their typical MovieCove film has a Midcredits score in the 39th percentile, the median of all 5; across their 5 films with reception data, the typical film sits in the 24th percentile for acclaim.

Acclaim · how much people like their films

24thpercentile
Typical film, the median of 5

Approval · how many liked their films

46thpercentile
Typical film, the median of 5

Reach · how many have seen their films

65thpercentile
Typical film, the median of 5

Midcredits score across 7 titles, by percentile

  • 50th to 74th1
  • 25th to 49th5
  • Below 25th1

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.