Skip to content
MovieCove

Jill Bilcock

Editor, also producer and actor

Works as
Editor, also producer and actor
Titles
30 on MovieCove · 39 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Down 14% in 30 days

What are Jill Bilcock's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Biography9 titlesTypical Midcredits score: 76th percentile, at or above their average across these genres
: browse their Biography movies
Comedy8 titlesTypical Midcredits score: 70th percentile
: browse their Comedy movies
Drama5 titlesTypical Midcredits score: 74th percentile, at or above their average across these genres
: browse their Drama movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
33%
Self
26%
Morality
14%
Society
10%
Power
6%
Survival
6%
Ideas
5%
Romantic love10 titles, browse their movies with this themeFamily bonds8 titles, browse their movies with this themeIdentity6 titles, browse their movies with this themePurpose5 titles, browse their movies with this themeSelf-worth3 titles, browse their movies with this themeJustice3 titles, browse their movies with this themeCommunity2 titles, browse their movies with this themeRedemption2 titles, browse their movies with this theme

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category
Serious: How heavy the subject matter and outlook get. Browse their serious movies.
Tone · Weight
lightdark

A split, not a type: Light 10 · Serious 6 · Dark 11

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 16 · Stylized 7 · Heightened 4

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

A split, not a type: Gentle 6 · Charged 8 · Intense 13

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 10 · Shifting 13 · Whiplash 4

Some laughs: How much of the runtime is played for laughs. Browse their some laughs movies.
Feel · Humor
noneconstant

A split, not a type: Straight-faced 16 · Some laughs 8 · Funny 3

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 12 · Even-paced 14 · Relentless 1

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 11 · Engaged 11 · Full focus 5

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 10 · Affecting 4 · Heavy 13

Resolved: How much is left for you to interpret. Browse their resolved movies.
Demand · Resolution
resolvedambiguous

Resolved 19 · Open-ended 7 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
16
Melancholic
14
Romantic
8
Warm
7
Bittersweet
7
Other
25

How their films linger

Bittersweet12 titles, browse their movies with this aftertasteHopeful9 titles, browse their movies with this aftertasteFeel-good7 titles, browse their movies with this aftertasteHaunting6 titles, browse their movies with this aftertasteDevastating4 titles, browse their movies with this aftertasteRousing4 titles, browse their movies with this aftertaste

How their films end

  • Happy10
  • Bittersweet13
  • Tragic3
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jill Bilcock's films?

As of October 24, 2026, 15 of their 30 MovieCove titles stream on a subscription or free service.

Also on these channels

Subscription and free streaming for Jill Bilcock's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

39 credits, 30 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • The Deb(2024)

    Consulting Editor

    Midcredits score: 37th percentile of all films

  • High Ground(2020)

    Editor

    Midcredits score: 66th percentile of all films

  • Penguin Bloom(2020)

    Producer

    Midcredits score: 74th percentile of all films

  • Ride Like a Girl(2019)

    Editor

    Midcredits score: 76th percentile of all films

  • Will(2017)

    Show 3 episodes · Editor

    Midcredits score: 41st percentile of all shows

  • Red Dog: True Blue(2016)

    Editor · Producer

    Midcredits score: 61st percentile of all films

  • The Dressmaker(2015)

    Editor

    Midcredits score: 79th percentile of all films

  • Driving Miss Daisy (not in the MovieCove catalog yet)(2015)

    Editor

  • Kill Me Three Times(2014)

    Editor

    Midcredits score: 28th percentile of all films

  • My Mistress(2014)

    Editor

    Midcredits score: 25th percentile of all films

  • Arrows of the Thunder Dragon (not in the MovieCove catalog yet)(2014)

    Editor

  • Save Your Legs!(2012)

    Consulting Editor

    Midcredits score: 27th percentile of all films

  • Mental(2012)

    Editor · Producer

    Midcredits score: 49th percentile of all films

  • Red Dog(2011)

    Associate Producer · Editor

    Midcredits score: 89th percentile of all films

  • Don't Be Afraid of the Dark(2010)

    Editor

    Midcredits score: 27th percentile of all films

  • Blessed (not in the MovieCove catalog yet)(2009)

    Editor

  • The Young Victoria(2009)

    Editor

    Midcredits score: 88th percentile of all films

  • Elizabeth: The Golden Age(2007)

    Editor

    Midcredits score: 70th percentile of all films

  • Catch a Fire(2006)

    Editor

    Midcredits score: 68th percentile of all films

  • The Libertine(2004)

    Editor

    Midcredits score: 49th percentile of all films

  • Japanese Story(2003)

    Editor

    Midcredits score: 74th percentile of all films

  • Road to Perdition(2002)

    Editor

    Midcredits score: 96th percentile of all films

  • Moulin Rouge!(2001)

    Editor

    Midcredits score: 92nd percentile of all films

  • The Dish(2000)

    Editor

    Midcredits score: 87th percentile of all films

  • Elizabeth(1998)

    Editor

    Midcredits score: 92nd percentile of all films

  • Head On(1998)

    Editor

    Midcredits score: 63rd percentile of all films

  • Romeo + Juliet(1996)

    Associate Producer · Editor

    Midcredits score: 74th percentile of all films

  • How to Make an American Quilt(1995)

    Editor

    Midcredits score: 59th percentile of all films

  • I.Q.(1994)

    Editor

    Midcredits score: 49th percentile of all films

  • Erotique (not in the MovieCove catalog yet)(1994)

    Editor

  • Muriel's Wedding(1994)

    Editor

    Midcredits score: 88th percentile of all films

  • Temptation of a Monk (not in the MovieCove catalog yet)(1993)

    Editor

  • Strictly Ballroom(1992)

    Editor

    Midcredits score: 87th percentile of all films

  • Till There Was You(1991)

    Editor

    Midcredits score: 14th percentile of all films

  • Death in Brunswick (not in the MovieCove catalog yet)(1991)

    Thanks

  • A Cry in the Dark(1988)

    Editor

    Midcredits score: 78th percentile of all films

  • Australian Made: The Movie (not in the MovieCove catalog yet)(1987)

    Editor

  • Dogs in Space (not in the MovieCove catalog yet)(1986)

    Editor

  • The More Things Change... (not in the MovieCove catalog yet)(1986)

    Editor

Career shape

A full career of 38 titles from 1986 to 2026.

Biggest box office

Moulin Rouge! (2001)

$185M worldwide

Highest rated

Road to Perdition (2002)

Midcredits 96th

Most popular right now

Romeo + Juliet (1996)

By role

only this rolewith another role
Producing2 of 38: 0 only producing, 2 with another roleEditing35 of 38: 33 only editing, 2 with another role · typical Midcredits score70thOther crew3 of 38: 3 only other crew, 0 with another role

By decade

1980s4 · crew1990s11 · crew2000s9 · crew2010s12 · crew2020s2 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jill Bilcock's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 29; across their 26 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 26

Approval · how many liked their films

73rdpercentile
Typical film, the median of 26

Reach · how many have seen their films

91stpercentile
Typical film, the median of 26

Midcredits score across 30 titles, by percentile

  • 75th and up11
  • 50th to 74th9
  • 25th to 49th9
  • Below 25th1

Shape of the crowd

18 of their 30 titles are Crowd Pleasers.

  • Universally Loved4
  • Divisive1
  • Crowd Pleaser18
  • Broadly Agreed1
  • Mixed6

Most divisive · editor

Head On (1998)

61st percentile spread · 17% rated it 4 or lower

Most loved · editor

Road to Perdition (2002)

Midcredits 96th · 87% liked

Reviewers score the pacing 44/100 in their films, across 25 reviewed titles; fans 53, detractors 30. The element that speaks to their work as an editor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jill Bilcock's work okay for kids?

Across up to 20 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore16 titles6–79 · median 48 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity20 titles14–65 · median 40 · moderatenear the median of all filmsMedian of all films: 32
Profanity17 titles14–73 · median 38 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs16 titles15–44 · median 32 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense16 titles17–64 · median 45 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jill Bilcock work with?

People who share at least 2 of Jill Bilcock's MovieCove titles, grouped by what they did on them; David Hirschfelder shares the most, 5.

Directors

Writers

Actors

Composers and cinematographers

Producers

Mixed roles