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Jesse Beaton

Jesse Beaton

Producer

Works as
Producer
Titles
6 on MovieCove · 7 credits in all
TMDB popularity, last 37 days to Oct 26Up 17% in 30 days

What are Jesse Beaton's films like?

Across their 6 MovieCove titles with a thematic analysis, their films lean Morality and Self.

What they feel like to watch

their average across 6 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 1 · Serious 2 · Dark 3

Grounded 4 · Stylized 2 · Heightened 0

Gentle 0 · Charged 2 · Intense 4

Steady 1 · Shifting 5 · Whiplash 0

Straight-faced 5 · Some laughs 1 · Funny 0

Slow burn 2 · Even-paced 3 · Relentless 1

Casual 0 · Engaged 4 · Full focus 2

Resolved 3 · Open-ended 3 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
5
Melancholic
4
Contemplative
2
Thrilling
2
Dread
1
Other
2

How their films end · 4 with a twist

  • Bittersweet6

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jesse Beaton's films?

As of October 24, 2026, 5 of their 6 MovieCove titles stream on a subscription or free service, most on Tubi (2).

Subscription and free streaming for Jesse Beaton's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

7 credits, 6 with a MovieCove page.

  • Bless Me, Ultima(2012)

    Producer

    Midcredits score: 61st percentile of all films
  • Out of Time(2003)

    Producer · as Ramona

    Midcredits score: 62nd percentile of all films
  • High Crimes(2002)

    Producer · as Ramona

    Midcredits score: 53rd percentile of all films
  • One True Thing(1998)

    Producer

    Midcredits score: 79th percentile of all films
  • Devil in a Blue Dress(1995)

    Producer

    Midcredits score: 76th percentile of all films
  • Laurel Avenue (not in the MovieCove catalog yet)(1993)

    Show 2 episodes · Producer

  • One False Move(1991)

    Producer

    Midcredits score: 86th percentile of all films

Career shape

A full career of 7 titles from 1992 to 2013.

Film career

By role

only this rolewith another role
Acting2 of 7: 0 only acting, 2 with another roleProducing7 of 7: 5 only producing, 2 with another role · typical Midcredits score69th

By decade

1990s4 · crew2000s2 · 2 acting · 2 crew2010s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jesse Beaton's films land?

Their typical MovieCove film has a Midcredits score in the 69th percentile, the median of all 6; across their 6 films with reception data, the typical film sits in the 69th percentile for acclaim.

Acclaim · how much people like their films

69thpercentile
Typical film, the median of 6

Approval · how many liked their films

67thpercentile
Typical film, the median of 6

Reach · how many have seen their films

90thpercentile
Typical film, the median of 6

Midcredits score across 6 titles, by percentile

  • 75th and up3
  • 50th to 74th3

Shape of the crowd

None of their 6 titles divides audiences: 6 are Crowd Pleasers.

  • Crowd Pleaser6

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jesse Beaton's work okay for kids?

Across up to 5 MovieCove titles with content scores, profanity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore4 titlesmedian 70 · intenseMedian of all films: 44
Sex & Nudity4 titlesmedian 45 · moderateMedian of all films: 32
Profanity5 titles51–78 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs4 titlesmedian 53 · moderateMedian of all films: 33
Frightening / Intense4 titlesmedian 56 · moderateMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jesse Beaton work with?

People who share at least 2 of Jesse Beaton's MovieCove titles, grouped by what they did on them; Carl Franklin shares the most, 6.

Directors

Actors

Composers, cinematographers and editors

Producers