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J. Joachim Bartsch

Writer

Works as
Writer
Titles
4 on MovieCove · 13 credits in all

What are J. Joachim Bartsch's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Bonds.

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Light 2 · Serious 0 · Dark 2

Grounded 1 · Stylized 3 · Heightened 0

Gentle 0 · Charged 3 · Intense 1

Steady 2 · Shifting 2 · Whiplash 0

Straight-faced 1 · Some laughs 3 · Funny 0

Slow burn 1 · Even-paced 3 · Relentless 0

Casual 1 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 2 · Affecting 1 · Heavy 1

Resolved 3 · Open-ended 1 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Tense
4
Dread
1
Thrilling
1
Melancholic
1
Elegiac
1
Other
2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch J. Joachim Bartsch's films?

As of October 24, 2026, 3 of their 4 MovieCove titles stream on a subscription or free service, most on Tubi (3).

Subscription and free streaming for J. Joachim Bartsch's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

13 credits, 4 with a MovieCove page.

  • The Desperado Trail(1965)

    Screenplay

    Midcredits score: 71st percentile of all films
  • The Last Tomahawk (not in the MovieCove catalog yet)(1965)

    Writer

  • FBI Operation Yellow Viper (not in the MovieCove catalog yet)(1964)

    Screenplay

  • Voyage to Danger (not in the MovieCove catalog yet)(1962)

    Screenplay

  • The Terrible People(1960)

    Screenplay

    Midcredits score: 57th percentile of all films
  • She Walks by Night (not in the MovieCove catalog yet)(1959)

    Screenplay

  • Face of the Frog(1959)

    Screenplay

    Midcredits score: 52nd percentile of all films
  • The Scarlet Baroness (not in the MovieCove catalog yet)(1959)

    Screenplay

  • Midcredits score: 39th percentile of all films
  • Die Prinzessin von St. Wolfgang (not in the MovieCove catalog yet)(1957)

    Screenplay

  • Solange noch die Rosen blüh'n (not in the MovieCove catalog yet)(1956)

    Writer

  • Der Glockengießer von Tirol (not in the MovieCove catalog yet)(1956)

    Writer

  • Behind Monastery Walls (not in the MovieCove catalog yet)(1952)

    Editor

Career shape

A full career of 13 titles from 1952 to 1965.

By role

only this rolewith another role
Writing12 of 13: 12 only writing, 0 with another roleEditing1 of 13: 1 only editing, 0 with another role

By decade

1950s8 · crew1960s5 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do J. Joachim Bartsch's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 4

Approval · how many liked their films

45thpercentile
Typical film, the median of 4

Reach · how many have seen their films

52ndpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 50th to 74th3
  • 25th to 49th1

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

  • Crowd Pleaser3
  • Mixed1

Reviewers score the plot and story 44/100 in their films, across 4 reviewed titles; fans 60, detractors 25. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does J. Joachim Bartsch work with?

People who share at least 2 of J. Joachim Bartsch's MovieCove titles, grouped by what they did on them; Harald Reinl shares the most, 4.

Directors

Writers

Actors

Cinematographers and editors

Producers