Renée Axö

What are Renée Axö's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Power.

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Renée Axö's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Renée Axö's titles on MovieCove; rent and buy are not counted.

Filmography

4 credits, 4 with a MovieCove page.

• 

  The Cake General(2018)

  Producer

  Midcredits score: 71st percentile of all films71^st
• 

  Crimes of Passion: Dangerous Dreams(2013)

  Producer

  Midcredits score: 61st percentile of all films61^st
• 

  Crimes of Passion: Death of a Loved One(2013)

  Producer

  Midcredits score: 45th percentile of all films45^th
• 

  Crimes of Passion: Roses, Kisses and Death(2013)

  Producer

  Midcredits score: 57th percentile of all films57^th

Career shape

Across a limited sample of 4 MovieCove titles from 2013 to 2018.

Biggest box office

Crimes of Passion: Death of a Loved One (2013)

$569K worldwide

Highest rated

The Cake General (2018)

Midcredits 71^st

Most popular right now

Crimes of Passion: Death of a Loved One (2013)

How do Renée Axö's films land?

Their typical MovieCove film has a Midcredits score in the 59^th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 59^th percentile for acclaim.

Shape of the crowd

None of their 4 titles divides audiences: 3 are Crowd Pleasers.

31

• Crowd Pleaser3
• Mixed1

Most loved · producer

The Cake General (2018)

Midcredits 71^st · 64% liked

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Renée Axö work with?

People who share at least 2 of Renée Axö's MovieCove titles, grouped by what they did on them; Maria Lang shares the most, 3.