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John August

John August

Writer, director and producer, also actor · Born April 4, 1970 (56) · Boulder, Colorado, USA

BAFTA Award nominee · 3 other major award bodies

John August (born August 4, 1970) is an American screenwriter, director, producer, and novelist. He is known for writing the films Go (1999), Charlie's Angels (2000), Charlie's Angels: Full Throttle (2003), Big Fish (2003), Charlie and the Chocolate Factory (2005), Corpse Bride (2005), Frankenweenie (2012), the Disney live-action adaptation of Aladdin (2019), the novels Arlo Finch in the Valley of Fire (2018), Arlo Finch in the Lake of the Moon (2019) and Arlo Finch in the Kingdom of Shadows (2020). He hosts the screenwriting podcast Scriptnotes with Craig Mazin, maintains an eponymous screenwriting blog, and develops screenwriter-targeted software through his company, Quote-Unquote Apps. August is a member of the Academy of Motion Picture Arts and Sciences, voting in the Writers branch. In 2016, he was awarded the WGAw's Valentine Davies Award for his dignified contributions to the entertainment industry and the community at large and has been nominated for a BAFTA and a Grammy. Description above from the Wikipedia article John August, licensed under CC-BY-SA, full list of contributors on Wikipedia.

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Biography from TMDB.

Born
April 4, 1970 (56)
From
Boulder, Colorado, USA
Works as
Writer, director and producer, also actor
Titles
12 on MovieCove · 15 credits in all
TMDB popularity, last 155 days to Oct 26Up 15% in 30 days

What are John August's films like?

Across their 13 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 13 films
ToneFeelDemandtheir average · filled zone: the category

Light 8 · Serious 5 · Dark 0

Grounded 1 · Stylized 1 · Heightened 11

Gentle 2 · Charged 8 · Intense 3

Steady 5 · Shifting 5 · Whiplash 3

Straight-faced 2 · Some laughs 9 · Funny 2

Slow burn 3 · Even-paced 5 · Relentless 5

Casual 5 · Engaged 6 · Full focus 2

Resolved 10 · Open-ended 1 · Ambiguous 2

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Joyful
5
Tense
6
Thrilling
5
Warm
4
Bittersweet
3
Other
12

How their films end · 4 with a twist

  • Happy6
  • Bittersweet5
  • Ambiguous2

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch John August's films?

As of October 24, 2026, 10 of their 12 MovieCove titles stream on a subscription or free service, most on Disney+ (4).

Subscription and free streaming for John August's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

15 credits, 12 with a MovieCove page; 2 appearances as themselves are hidden until asked for.

  • Aladdin(2019)

    Screenplay

    Midcredits score: 74th percentile of all films
  • Frankenweenie(2012)

    Screenplay

    Midcredits score: 80th percentile of all films
  • Dark Shadows(2012)

    Story

    Midcredits score: 47th percentile of all films
  • Prince of Persia: The Sands of Time(2010)

    Executive Producer

    Midcredits score: 58th percentile of all films
  • The Nines(2007)

    Director · Writer

    Midcredits score: 50th percentile of all films
  • Corpse Bride(2005)

    Screenplay

    Midcredits score: 94th percentile of all films
  • Midcredits score: 74th percentile of all films
  • Big Fish(2003)

    Screenplay

    Midcredits score: 97th percentile of all films
  • Charlie's Angels: Full Throttle(2003)

    Screenplay · Story

    Midcredits score: 19th percentile of all films
  • Charlie's Angels(2000)

    Writer

    Midcredits score: 38th percentile of all films
  • Titan A.E.(2000)

    Screenplay

    Midcredits score: 66th percentile of all films
  • Go(1999)

    Co-Producer · Screenplay · Second Unit Director · Writer

    Midcredits score: 88th percentile of all films
  • God (not in the MovieCove catalog yet)(1998)

    Director · Writer

  • Toto: The Dog-Gone Amazing Story of Wizard of Oz (not in the MovieCove catalog yet)

    Screenplay

  • Untitled Teen Missing Mother Film (not in the MovieCove catalog yet)

    Writer

Career shape

A full career of 15 titles, 13 of them dated from 1998 to 2019.

By role

only this rolewith another role
Directing2 of 15: 0 only directing, 2 with another roleWriting14 of 15: 11 only writing, 3 with another role · typical Midcredits score74thProducing2 of 15: 1 only producing, 1 with another roleOther crew1 of 15: 0 only other crew, 1 with another role

15 titles, 3 with more than one role — writing and directing overlap on 2 of them.

By decade

1990s2 · crew2000s7 · crew2010s4 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

Awards

1 major award from 4 major nominations, 2004–2016.

WinNomination
  1. 2016
    • Writers Guild Award, won · Valentine Davies Award
  2. 2006
    • Grammy Award, nominated · Best Song Written for Motion Picture, Television or Other Visual Media
  3. 2004
    • BAFTA Award, nominated · Best Screenplay - Adapted
    • +1 other major body · 1 nomination
      • Critics Choice Award, nominated · Best Writer

Major bodies only: the Oscars, Primetime Emmys, Golden Globes, BAFTAs and Screen Actors Guild Awards are named; Cannes, Venice, the Berlinale, Sundance, the directors', writers' and producers' guilds, the Grammys, Critics Choice and the Independent Spirit Awards count as other major bodies. Festival and regional prizes are not counted. Source: IMDb.

How do John August's films land?

Their typical MovieCove film has a Midcredits score in the 70th percentile, the median of all 12; across their 13 films with reception data, the typical film sits in the 63rd percentile for acclaim.

Acclaim · how much people like their films

63rdpercentile
Typical film, the median of 13

Approval · how many liked their films

66thpercentile
Typical film, the median of 13

Reach · how many have seen their films

98thpercentile
Typical film, the median of 13

Midcredits score across 12 titles, by percentile

  • 75th and up4
  • 50th to 74th5
  • 25th to 49th2
  • Below 25th1

Shape of the crowd

None of their 12 titles divides audiences: 7 are Crowd Pleasers.

  • Universally Loved2
  • Crowd Pleaser7
  • Broadly Agreed2
  • Mixed1

Reviewers score the dialogue 55/100 and the plot and story 45/100 in their films, across 13 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is John August's work okay for kids?

Across up to 12 MovieCove titles with content scores, alcohol & drugs runs lighter than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore11 titles29–62 · median 51 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity12 titles12–49 · median 29 · mildnear the median of all filmsMedian of all films: 32
Profanity11 titles4–37 · median 29 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs11 titles8–42 · median 20 · mildlighter than most filmsMedian of all films: 33
Frightening / Intense11 titles35–59 · median 45 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does John August work with?

People who share at least 2 of John August's MovieCove titles, grouped by what they did on them; Tim Burton shares the most, 5.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers