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What are Paul F. Antonelli's films like?

Across a limited sample of 4 MovieCove titles with a thematic analysis, their films lean Morality and Survival.

Themes

share of theme weight
Morality
50%
Survival
26%
Power
16%
Society
8%

What they feel like to watch

their average across 4 films
ToneFeelDemandtheir average · filled zone: the category

Grounded 2 · Stylized 2 · Heightened 0

Gentle 0 · Charged 4 · Intense 0

Steady 3 · Shifting 1 · Whiplash 0

Straight-faced 2 · Some laughs 2 · Funny 0

Slow burn 0 · Even-paced 4 · Relentless 0

Casual 3 · Engaged 1 · Full focus 0

Resolved 4 · Open-ended 0 · Ambiguous 0

Moods and endings

endings shown from 5 titles

Dominant moods · mentions across their titles

Thrilling
3
Tense
2
Triumphant
2
Cold
1
Absurd
1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Paul F. Antonelli's films?

As of October 24, 2026, 1 of their 4 MovieCove titles stream on a subscription or free service, on Tubi (1).

Subscription and free streaming for Paul F. Antonelli's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

4 credits, 4 with a MovieCove page.

Career shape

Across a limited sample of 4 MovieCove titles from 1988 to 1992.

By role

only this rolewith another role
Music4 of 4: 4 only music, 0 with another role

By decade

1980s1 · crew1990s3 · crew

Counts over their MovieCove titles; a title counts in every role they held on it.

How do Paul F. Antonelli's films land?

Their typical MovieCove film has a Midcredits score in the 24th percentile, the median of all 4; across a limited sample of 4 films with reception data, the typical film sits in the 34th percentile for acclaim.

Acclaim · how much people like their films

34thpercentile
Typical film, the median of 4

Approval · how many liked their films

17thpercentile
Typical film, the median of 4

Reach · how many have seen their films

56thpercentile
Typical film, the median of 4

Midcredits score across 4 titles, by percentile

  • 25th to 49th2
  • Below 25th2

Shape of the crowd

None of their 4 titles divides audiences: 4 are Mixed.

  • Mixed4

Reviewers score the sound and music 41/100 in their films, across 4 reviewed titles; fans 48, detractors 33. The element that speaks to their work as a composer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Who does Paul F. Antonelli work with?

People who share at least 2 of Paul F. Antonelli's MovieCove titles, grouped by what they did on them; David Wheatley shares the most, 3.

Directors

Writers

Actors

Composers, cinematographers and editors

Producers