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William Porter

Writer, also director

Works as
Writer, also director
Titles
8 on MovieCove · 9 credits in all
TMDB popularity, last 37 days to Oct 26Down 36% in 30 days

What are William Porter's films like?

Across their 8 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

Genres

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

What they feel like to watch

their average across 8 films
ToneFeelDemandtheir average · filled zone: the category

Light 6 · Serious 1 · Dark 1

A split, not a type: Grounded 5 · Stylized 2 · Heightened 1

Gentle 1 · Charged 5 · Intense 2

Steady 2 · Shifting 5 · Whiplash 1

Straight-faced 2 · Some laughs 3 · Funny 3

Slow burn 1 · Even-paced 6 · Relentless 1

Casual 5 · Engaged 2 · Full focus 1

A split, not a type: Easy watch 4 · Affecting 3 · Heavy 1

Resolved 8 · Open-ended 0 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Absurd
5
Tense
4
Melancholic
4
Joyful
2
Manic
2
Other
5

How their films end

  • Happy2
  • Bittersweet5
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch William Porter's films?

As of October 24, 2026, 6 of their 8 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for William Porter's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

9 credits, 8 with a MovieCove page.

  • The Space Between(2021)

    Screenplay

    Midcredits score: 25th percentile of all films
  • Krystal(2017)

    Screenplay

    Midcredits score: 24th percentile of all films
  • Stealing Cars(2015)

    Writer

    Midcredits score: 42nd percentile of all films
  • Black Cadillac (not in the MovieCove catalog yet)(2003)

    Screenplay

  • Avenging Angelo(2002)

    Screenplay · Story

    Midcredits score: 18th percentile of all films
  • Clifford(1994)

    Writer

    Midcredits score: 41st percentile of all films
  • Stealing Home(1988)

    Director · Writer

    Midcredits score: 62nd percentile of all films
  • The Couch Trip(1988)

    Writer

    Midcredits score: 29th percentile of all films
  • Back to School(1986)

    Writer

    Midcredits score: 69th percentile of all films

Career shape

A full career of 5 titles from 2002 to 2021.

By role

only this rolewith another role
Writing5 of 5: 5 only writing, 0 with another role

By decade

2000s2 · crew2010s2 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it.

How do William Porter's films land?

Their typical MovieCove film has a Midcredits score in the 35th percentile, the median of all 8; across their 8 films with reception data, the typical film sits in the 36th percentile for acclaim.

Acclaim · how much people like their films

36thpercentile
Typical film, the median of 8

Approval · how many liked their films

34thpercentile
Typical film, the median of 8

Reach · how many have seen their films

78thpercentile
Typical film, the median of 8

Midcredits score across 8 titles, by percentile

  • 50th to 74th2
  • 25th to 49th4
  • Below 25th2

Reviewers score the dialogue 51/100 and the plot and story 38/100 in their films, across 8 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is William Porter's work okay for kids?

Across up to 5 MovieCove titles with content scores, sex & nudity runs heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Sex & Nudity5 titles33–52 · median 42 · moderateheavier than most filmsMedian of all films: 32
Profanity3 titlesmedian 53 · moderateMedian of all films: 36
Alcohol & Drugs4 titlesmedian 44 · moderateMedian of all films: 33

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does William Porter work with?

People who share at least 2 of William Porter's MovieCove titles, grouped by what they did on them; Steven Kampmann shares the most, 4.

Writers

Actors

Editors

Producers

Mixed roles