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Conchita Airoldi

Conchita Airoldi

Producer and actor

Conchita Airoldi is an Italian actress, producer, and assistant director. She began her career as an actress in the early 1970s, appearing in films such as The Strange Vice of Mrs. Wardh (1971) and Torso (1973), credited as Cristina Airoldi. Over time, she transitioned into film production and executive roles, contributing to a wide range of Italian and international projects including Duplicity (2009), We Believed (2010), and Benedetta (2021). Her producing credits span various genres and have earned her multiple awards and nominations. Airoldi's early life and education details are not publicly documented in available verified sources. Her career origins trace back to her acting roles in Italian cinema during the 1970s, after which she expanded her involvement in the film industry to include producing and assistant directing. She has worked on notable films such as Pasolini (2014), Neds (2010), and Dark Glasses (2022), often serving as a producer or executive producer, demonstrating a sustained influence in European cinema production. Her impact lies in her significant contributions to Italian and international film production, helping bring diverse stories to the screen and supporting auteur-driven projects. Through her work behind the camera, Airoldi has played a key role in the development and completion of critically acclaimed films, thereby influencing contemporary Italian cinema and its presence on the global stage. Airoldi's impact lies in her dual role as both a performer and a producer, contributing to the vitality of Italian film culture and supporting the development of cinematic projects that explore diverse themes and narratives. Her career exemplifies a versatile engagement with the entertainment industry, marked by a dedication to both artistic expression and the facilitation of film production.

Read more

Biography from IMDb.

Works as
Producer and actor
Titles
23 on MovieCove · 45 credits in all
Links
IMDb (opens in a new tab)TMDB (opens in a new tab)Wikidata (opens in a new tab)

Known for

TMDB popularity, last 37 days to Oct 26Up 24% in 30 days

What are Conchita Airoldi's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

Genres

Drama8 titlesTypical Midcredits score: 63rd percentile, at or above their average across these genres
: browse their Drama movies
Comedy3 titlesTypical Midcredits score: 44th percentile
: browse their Comedy movies
Crime3 titlesTypical Midcredits score: 64th percentile, at or above their average across these genres
: browse their Crime movies
Action2 titlesTypical Midcredits score: 34th percentile
: browse their Action movies
Biography2 titlesTypical Midcredits score: 56th percentile, at or above their average across these genres
: browse their Biography movies

Their MovieCove films by primary genre. The badge is the typical Midcredits score of the genre's films, the median percentile; an up arrow marks a genre at or above their average across these genres.

Themes

share of theme weight
Bonds
24%
Survival
22%
Morality
19%
Self
18%
Ideas
13%
Society
4%
Power
2%
Romantic love8 titles, browse their movies with this themeObsession3 titles, browse their movies with this themeFamily bonds4 titles, browse their movies with this themeTrauma3 titles, browse their movies with this themeDeception3 titles, browse their movies with this themeSurvival3 titles, browse their movies with this themeComing of age2 titles, browse their movies with this themeJustice2 titles, browse their movies with this theme

What they feel like to watch

their average across 21 films
ToneFeelDemandtheir average · filled zone: the category
Dark: How heavy the subject matter and outlook get. Browse their dark movies.
Tone · Weight
lightdark

Light 3 · Serious 6 · Dark 12

Stylized: How far its world departs from everyday reality. Browse their stylized movies.
Tone · Style
naturalisticheightened

A split, not a type: Grounded 8 · Stylized 6 · Heightened 7

Charged: How hard the emotional peaks hit while you watch. Browse their charged movies.
Feel · Intensity
gentleintense

Gentle 3 · Charged 9 · Intense 9

Shifting: How much it swings between very different feelings. Browse their shifting movies.
Feel · Swings
steadyswings

Steady 8 · Shifting 11 · Whiplash 2

Straight-faced: How much of the runtime is played for laughs. Browse their straight-faced movies.
Feel · Humor
noneconstant

Straight-faced 15 · Some laughs 6 · Funny 0

Even-paced: How fast it moves from scene to scene. Browse their even-paced movies.
Demand · Pace
slowrelentless

Slow burn 8 · Even-paced 11 · Relentless 2

Engaged: How much focus it asks of you — look away and lose the thread? Browse their engaged movies.
Demand · Attention
casualfull focus

Casual 3 · Engaged 11 · Full focus 7

Affecting: How much it costs you emotionally; whether you need recovery time. Browse their affecting movies.
Demand · Emotional cost
easyheavy

A split, not a type: Easy watch 5 · Affecting 6 · Heavy 10

Open-ended: How much is left for you to interpret. Browse their open-ended movies.
Demand · Resolution
resolvedambiguous

A split, not a type: Resolved 6 · Open-ended 6 · Ambiguous 9

Roles they play

1 analyzed role

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
15
Melancholic
11
Dread
7
Contemplative
5
Romantic
4
Other
13

How their films linger

Thought-provoking9 titles, browse their movies with this aftertasteUnsettling9 titles, browse their movies with this aftertasteHaunting8 titles, browse their movies with this aftertasteBittersweet9 titles, browse their movies with this aftertasteFeel-good2 titles, browse their movies with this aftertaste

How their films end · 6 with a twist

  • Happy1
  • Bittersweet8
  • Tragic3
  • Ambiguous8
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Conchita Airoldi's films?

As of October 24, 2026, 15 of their 23 MovieCove titles stream on a subscription or free service, most on Tubi (7).

Also on these channels

Subscription and free streaming for Conchita Airoldi's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

45 credits, 23 with a MovieCove page.

  • Quasi Grazia (not in the MovieCove catalog yet)(2026)

    Producer

  • Dark Glasses(2022)

    Producer

    Midcredits score: 14th percentile of all films

  • Benedetta(2021)

    Executive Producer

    Midcredits score: 70th percentile of all films

  • Duisburg - Linea di sangue (not in the MovieCove catalog yet)(2019)

    Producer

  • The Apparition(2018)

    Producer

    Midcredits score: 54th percentile of all films

  • Pasolini(2014)

    Producer

    Midcredits score: 41st percentile of all films

  • The First on the List (not in the MovieCove catalog yet)(2011)

    Producer

  • A Burning Hot Summer(2011)

    Co-Producer

    Midcredits score: 21st percentile of all films

  • Route Irish(2010)

    Co-Producer

    Midcredits score: 55th percentile of all films

  • We Believed (not in the MovieCove catalog yet)(2010)

    Producer

  • Neds(2010)

    Producer

    Midcredits score: 78th percentile of all films

  • Don't Look Back(2009)

    Producer

    Midcredits score: 35th percentile of all films

  • Machan (not in the MovieCove catalog yet)(2009)

    Producer

  • Villa Amalia (not in the MovieCove catalog yet)(2009)

    Co-Executive Producer

  • Duplicity(2009)

    Producer

    Midcredits score: 44th percentile of all films

  • Frontier of the Dawn(2008)

    Producer

    Midcredits score: 60th percentile of all films

  • The Goodbye Kiss (not in the MovieCove catalog yet)(2006)

    Producer

  • Ginger and Cinnamon (not in the MovieCove catalog yet)(2003)

    Producer

  • Ginostra(2002)

    Executive Producer

    Midcredits score: 6th percentile of all films

  • Ciao America (not in the MovieCove catalog yet)(2002)

    Executive Producer

  • Fat Girl(2001)

    Producer

    Midcredits score: 65th percentile of all films

  • Titus(1999)

    Producer

    Midcredits score: 77th percentile of all films

  • A Witch's Way of Love(1997)

    Producer

    Midcredits score: 21st percentile of all films

  • Microcosmos(1996)

    Co-Producer

    Midcredits score: 97th percentile of all films

  • North Star(1996)

    Producer

    Midcredits score: 13th percentile of all films

  • Croce e Delizia (not in the MovieCove catalog yet)(1995)

    Producer

  • Cemetery Man(1994)

    Co-Producer · Executive Producer

    Midcredits score: 82nd percentile of all films

  • Dear Diary(1993)

    as Abitante di Panarea

    Midcredits score: 89th percentile of all films

  • The Long Silence (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • The Little Apocalypse (not in the MovieCove catalog yet)(1993)

    Executive Producer

  • Cyber Eden (not in the MovieCove catalog yet)(1992)

    Executive Producer

  • In nome del popolo sovrano (not in the MovieCove catalog yet)(1990)

    Executive Producer

  • The Children (not in the MovieCove catalog yet)(1990)

    Location Manager

  • Open Doors (not in the MovieCove catalog yet)(1990)

    Executive Producer

  • Via Panisperna Boys (not in the MovieCove catalog yet)(1989)

    Producer

  • The Belly of an Architect(1987)

    Associate Producer

    Midcredits score: 78th percentile of all films

  • Ehrengard (not in the MovieCove catalog yet)(1982)

    Executive Producer

  • Immacolata and Concetta: The Other Jealousy (not in the MovieCove catalog yet)(1980)

    Continuity

  • Closed Circuit (not in the MovieCove catalog yet)(1978)

    as Giornalista

  • The 'Human' Factor(1975)

    as Sandra Pallavicini

    Midcredits score: 31st percentile of all films

  • The Cousin(1974)

    as Maid

    Midcredits score: 16th percentile of all films

  • Deaf Smith & Johnny Ears (not in the MovieCove catalog yet)(1973)

    as Rosita McDonald

  • Torso(1973)

    as Carol Peterson

    Midcredits score: 64th percentile of all films

  • The Strange Vice of Mrs. Wardh(1971)

    as Carol Brandt

    Midcredits score: 77th percentile of all films

  • Dona Gracia (not in the MovieCove catalog yet)

    Producer

Career shape

A full career of 40 titles, 39 of them dated from 1971 to 2026.

Biggest box office

Duplicity (2009)

$78M worldwide

Highest rated

Microcosmos (1996)

Midcredits 97th

Most popular right now

The Cousin (1974)

Film career

By role

only this rolewith another role
Acting7 of 40: 7 only acting, 0 with another role · typical Midcredits score64thProducing31 of 40: 31 only producing, 0 with another role · typical Midcredits score55thOther crew2 of 40: 2 only other crew, 0 with another role

By decade

1970s6 · acting1980s4 · crew1990s12 · 1 acting · 11 crew2000s8 · crew2010s6 · crew2020s3 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Conchita Airoldi's films land?

Their typical MovieCove film has a Midcredits score in the 55th percentile, the median of all 23; across their 21 films with reception data, the typical film sits in the 57th percentile for acclaim.

Acclaim · how much people like their films

57thpercentile
Typical film, the median of 21

Approval · how many liked their films

52ndpercentile
Typical film, the median of 21

Reach · how many have seen their films

82ndpercentile
Typical film, the median of 21

Midcredits score across 23 titles, by percentile

  • 75th and up7
  • 50th to 74th6
  • 25th to 49th4
  • Below 25th6

Shape of the crowd

12 of their 23 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser12
  • Broadly Agreed2
  • Mixed8

Most divisive · producer

Ginostra (2002)

52nd percentile spread · 48% rated it 4 or lower

Most loved · producer

Microcosmos (1996)

Midcredits 97th · 87% liked

Reviewers score the acting 68/100 in their films, across 19 reviewed titles; fans 76, detractors 42. The element that speaks to their work as an actor.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Conchita Airoldi's work okay for kids?

Across up to 10 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles50–91 · median 84 · severeheavier than most filmsMedian of all films: 44
Sex & Nudity10 titles47–79 · median 71 · intenseheavier than most filmsMedian of all films: 32
Profanity6 titles28–53 · median 42 · moderatenear the median of all filmsMedian of all films: 36
Alcohol & Drugs6 titles25–54 · median 35 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles66–84 · median 78 · intenseheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Conchita Airoldi work with?

People who share at least 2 of Conchita Airoldi's MovieCove titles, grouped by what they did on them; Dino Di Dionisio shares the most, 5.

Directors

Writers

Actors

Editors

Producers