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Toby Oliver

Toby Oliver

Cinematographer

Toby Oliver ACS is an award-winning cinematographer whose career extends from his native Australia to the United States and internationally. Named as one of Variety's 10 Cinematographers to Watch in 2017, Toby now divides his time between Los Angeles and Sydney and has forged a remarkable and varied range of credits on feature films, documentaries and television. In the United States Toby shot Jordan Peele's racially-charged thriller horror Get Out in early 2016. Get Out premiered at a midnight screening at the 2017 Sundance Film Festival, and went on to score a rare 99% on Rotten Tomatoes, ranking #1 at the US Box Office on its opening weekend. Nominated for four Academy Awards, Get Out won the Oscar for Best Original Screenplay and has become a cultural phenomenon, to date earning over $258m worldwide. Subsequently Toby lensed writer/director Christopher Landon's time-loop thriller Happy Death Day for Universal. The comedy/horror achieved #1 at US Box Office on release in Oct 2017, going on to earn $125m worldwide while Toby's next Blumhouse movie, franchise favorite Insidious the Last Key opened in Jan 2018 to #2 at the US Box Office. Toby then shot director James McTiegue's (V for Vendetta) home-invasion thriller Breaking In for producer Will Packer (Straight Outta Compton). Toby also shot the Universal sequel Happy Death Day 2U, again teaming with director Chris Landon and the original cast. In early 2018 he shot the Netflix movie The Dirt, the biopic on the notorious 80's metal band Motley Crue for director Jeff Tremaine (Jackass and Bad Grandpa), released on the streaming service in March 2019. 2019 became a busy year shooting for Toby, completing the Blumhouse thriller Fantasy Island for director Jeff Wadlow, the Kristin Wiig comedy/adventure Barb and Star Go To Vista Del Mar for Lionsgate, and finishing the year with Season 2 of the Netflix black comedy Dead To Me with stars Christina Applegate and Linda Cardellini. Dead To Me Season 2 was the #1 show on Netflix in the United States for a week upon its release in 2020 and went on to receive three Emmy Award nominations, including Outstanding Comedy Series. In 2016 Toby had continued his documentary cinematography work shooting the award-winning indie doc Roller Dreams in and around Los Angeles' Venice Beach, while previously he shot the Blumhouse thriller The Darkness for director Greg Mclean, starring Kevin Bacon and Radha Mitchell; and in New York he shot the indie fantasy creature-feature Wildling for Maven Pictures and director Fritz Bohm with Liv Tyler, Bel Powley and Brad Dourif. Wildling premiered at SXSW 2018 to universal critical acclaim, with a place in the Best 10 of the festival. A graduate of Melbourne's renowned Swinburne Film School, in his early career in Australia Toby created many notable film images, from the 'beautifully lit' gritty black and white of his prison film debut feature Everynight... Everynight which premiered at Venice, to the box-office hit teen movie and AFI (Australian Film Institute) winner Looking For Alibrandi; and the 'painterly approach' of Tom White, winner of the ACS (Australian Cinematographers Society) Golden Tripod Award in 2005. His work has been seen at major festivals around the world, including Venice, Sundance, Sydney, Melbourne, Busan, Montreal, Tokyo, Shanghai and Toronto. Toby was a guest of the Camerimage Festival in Poland in 2017 for the screening of Get Out and participation in seminars and panels. Toby's work on the Australian WW1 suspense war drama Beneath Hill 60 in 2010 earned him his third Australian Academy nomination, and the TV movie Beaconsfield about a pair of miners trapped over a kilometer underground in a tiny cage, won many awards including a Gold ACS Award and the ACS Best in Show. Toby picked up another ACS Gold Award for his dynamic and vivid outback cinematography on Greg Mclean's action-horror sequel Wolf Creek 2, and he gathered another Australian Academy nod for the glamorous showgirls of the TV movie Carlotta. Toby has also worked extensively in mainland China, shooting the hit Chinese language rom-com Waiting Alone in Beijing and also the Australia/China co-production 33 Postcards starring Guy Pearce. Toby also devotes time to encouraging and giving back to the next generation of filmmakers, having participated in workshops, talks and presentations at many institutions and events including AFI (American Film Institute), AFTRS (Australian Film TV and Radio School), Camerimage Film Festival, New York Film Academy, Florida State University, Victoria Film Festival (Canada), ACS (Australian Cinematographers Society) and others. Toby has a BA (Film & TV) from Swinburne University of Technology, and is an accredited member of the Australian Cinematographers Society (ACS) since 2004. He is also a member of the Australian Academy of Cinema and Television Arts (AACTA) and IATSE Local 600.

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Biography from IMDb.

TMDB popularity, last 155 days to Oct 26Down 8% in 30 days

What are Toby Oliver's films like?

Across their 20 MovieCove titles with a thematic analysis, their films lean Bonds and Self.

What they feel like to watch

their average across 19 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 9 · Stylized 6 · Heightened 4

A split, not a type: Gentle 4 · Charged 5 · Intense 10

Steady 7 · Shifting 7 · Whiplash 5

A split, not a type: Straight-faced 9 · Some laughs 6 · Funny 4

Slow burn 4 · Even-paced 14 · Relentless 1

Casual 8 · Engaged 9 · Full focus 2

Resolved 13 · Open-ended 5 · Ambiguous 1

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
12
Dread
5
Absurd
6
Melancholic
6
Warm
4
Other
21

How their films end · 6 with a twist

  • Happy12
  • Bittersweet5
  • Ambiguous3

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Toby Oliver's films?

As of October 24, 2026, 17 of their 23 MovieCove titles stream on a subscription or free service.

Subscription and free streaming for Toby Oliver's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

31 credits, 23 with a MovieCove page.

  • M3GAN 2.0(2025)

    Cinematographer

    Midcredits score: 45th percentile of all films
  • Choose Love(2023)

    Cinematographer

    Midcredits score: 11th percentile of all films
  • Day Shift(2022)

    Cinematographer

    Midcredits score: 46th percentile of all films
  • Man on Earth (not in the MovieCove catalog yet)(2022)

    Cinematographer

  • Midcredits score: 62nd percentile of all films
  • Fantasy Island(2020)

    Cinematographer

    Midcredits score: 9th percentile of all films
  • The Dirt(2019)

    Cinematographer

    Midcredits score: 80th percentile of all films
  • Happy Death Day 2U(2019)

    Cinematographer

    Midcredits score: 49th percentile of all films
  • Breaking In(2018)

    Cinematographer

    Midcredits score: 23rd percentile of all films
  • Wildling(2018)

    Cinematographer

    Midcredits score: 25th percentile of all films
  • Insidious: The Last Key(2018)

    Cinematographer

    Midcredits score: 31st percentile of all films
  • Happy Death Day(2017)

    Cinematographer

    Midcredits score: 65th percentile of all films
  • Get Out(2017)

    Cinematographer

    Midcredits score: 97th percentile of all films
  • Lights Out(2016)

    Camera Operator

    Midcredits score: 53rd percentile of all films
  • The Darkness(2016)

    Cinematographer

    Midcredits score: 3rd percentile of all films
  • Blood+Thunder: The Sound of Alberts(2015)

    Show Cinematographer

    Midcredits score: 85th percentile of all shows (provisional, few ratings)
  • Carlotta(2014)

    "A" Camera Operator · Cinematographer

    Midcredits score: 72nd percentile of all films
  • Wolf Creek 2(2013)

    Cinematographer

    Midcredits score: 48th percentile of all films
  • The Wolverine(2013)

    Additional Camera

    Midcredits score: 66th percentile of all films
  • Beaconsfield(2012)

    Cinematographer

    Midcredits score: 76th percentile of all films
  • 33 Postcards(2010)

    Cinematographer

    Midcredits score: 42nd percentile of all films
  • Beneath Hill 60(2010)

    Camera Operator · Cinematographer

    Midcredits score: 82nd percentile of all films
  • Cane Toads: The Conquest(2010)

    Cinematographer

    Midcredits score: 81st percentile of all films
  • The Combination (not in the MovieCove catalog yet)(2009)

    Cinematographer

  • Last Train to Freo (not in the MovieCove catalog yet)(2006)

    Cinematographer

  • Waiting Alone (not in the MovieCove catalog yet)(2005)

    Cinematographer

  • The Big House (not in the MovieCove catalog yet)(2001)

    Cinematographer

  • Looking for Alibrandi(2000)

    Cinematographer

    Midcredits score: 83rd percentile of all films
  • Hey Amigos! (not in the MovieCove catalog yet)(1996)

    Cinematographer

  • Everynight... Everynight (not in the MovieCove catalog yet)(1995)

    Cinematographer

  • Neponset Circle (not in the MovieCove catalog yet)

    Cinematographer

Career shape

A full career of 29 titles, 28 of them dated from 1995 to 2025.

By role

only this rolewith another role
Cinematography27 of 29: 25 only cinematography, 2 with another role · typical Midcredits score48thOther crew4 of 29: 2 only other crew, 2 with another role

By decade

1990s2 · crew2000s5 · crew2010s15 · crew2020s6 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Toby Oliver's films land?

Their typical MovieCove film has a Midcredits score in the 51st percentile, the median of all 22; across their 19 films with reception data, the typical film sits in the 53rd percentile for acclaim.

Acclaim · how much people like their films

53rdpercentile
Typical film, the median of 19

Approval · how many liked their films

48thpercentile
Typical film, the median of 19

Reach · how many have seen their films

91stpercentile
Typical film, the median of 19

Midcredits score across 23 titles, by percentile

  • 75th and up7
  • 50th to 74th5
  • 25th to 49th7
  • Below 25th4

Shape of the crowd

10 of their 23 titles are Crowd Pleasers.

  • Universally Loved1
  • Crowd Pleaser10
  • Broadly Agreed4
  • Mixed8

Reviewers score the cinematography 58/100 in their films, across 16 reviewed titles; fans 65, detractors 43. The element that speaks to their work as a cinematographer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Toby Oliver's work okay for kids?

Across up to 13 MovieCove titles with content scores, violence & gore, profanity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore12 titles44–82 · median 65 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity13 titles14–47 · median 30 · mildnear the median of all filmsMedian of all films: 32
Profanity12 titles40–82 · median 58 · moderateheavier than most filmsMedian of all films: 36
Alcohol & Drugs12 titles24–52 · median 33 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense12 titles45–79 · median 59 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Toby Oliver work with?

People who share at least 2 of Toby Oliver's MovieCove titles, grouped by what they did on them; Jason Blum shares the most, 7.

Directors

Writers

Actors

Composers and editors

Producers