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Luis Buñuel

Luis Buñuel

Writer, director, actor, editor and producer, also composer · Died July 29, 1983, aged 83 · Calanda, Teruel, Aragón, España

Luis Buñuel Portolés (Spanish: [ˈlwis βuˈɲwel poɾtoˈles]; 22 February 1900 – 29 July 1983) was a Spanish filmmaker who worked in France, Mexico, and Spain. He has been widely considered by many film critics, historians, and directors to be one of the greatest and most influential filmmakers of all time. Buñuel's work was known for its avant-garde surrealism which was also infused with political commentary and social satire. Often associated with the surrealist movement of the 1920s, Buñuel made films from the 1920s through the 1970s. He collaborated with prolific surrealist painter Salvador Dali creating the films Un Chien Andalou (1929), which was made in the silent era and L'Age d'Or (1930). The two films are seen as the birth of Cinematic surrealism. From 1947 to 1960 he developed his skills as a director filming in Mexico making grounded and human melodramas such as Gran Casino (1947), Los Olvidados (1950), and Él (1953). Here is where he gained the fundamentals of storytelling. Buñuel than transitioned into making artful, unconventional, surrealist, and political satirical films. He earned acclaim with the morally complex arthouse drama film Viridiana (1961) which criticized the Francoist dictatorship. The film won the Palme d'Or at the 1961 Cannes Film Festival. He then criticized political and social conditions in The Exterminating Angel (1962), and The Discreet Charm of the Bourgeoise (1972) the later of which won the Academy Award for Best International Feature Film. He also directed Diary of a Chambermaid (1964), and Belle de Jour (1967), as well as his final film That Obscure Object of Desire (1977) the later of which earned the National Society of Film Critics Award for Best Director. Buñuel earned five Cannes Film Festival prizes, two Berlin International Film Festival prizes, and a BAFTA Award as well as nominations for two Academy Awards. Buñuel received numerous honors including National Prize for Arts and Sciences for Fine Arts in 1977, the Moscow International Film Festival Contribution to Cinema Prize in 1979, and the Career Golden Lion in 1982. He was nominated once for the Nobel Prize in Literature in 1968. Seven of Buñuel's films are included in Sight & Sound's 2012 critics' poll of the top 250 films of all time.

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Biography from TMDB.

Born
February 22, 1900
Died
July 29, 1983 (aged 83)
From
Calanda, Teruel, Aragón, España
Works as
Writer, director, actor, editor and producer, also composer
Titles
29 on MovieCove · 58 credits in all

What are Luis Buñuel's films like?

Across their 27 MovieCove titles with a thematic analysis, their films lean Power and Society.

What they feel like to watch

their average across 27 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Ironic 8 · Wry 4 · Earnest 15

A split, not a type: Light 6 · Serious 8 · Dark 13

A split, not a type: Grounded 12 · Stylized 8 · Heightened 7

A split, not a type: Gentle 5 · Charged 9 · Intense 13

Steady 9 · Shifting 14 · Whiplash 4

Straight-faced 16 · Some laughs 10 · Funny 1

Slow burn 15 · Even-paced 12 · Relentless 0

Casual 4 · Engaged 17 · Full focus 6

A split, not a type: Easy watch 6 · Affecting 8 · Heavy 13

A split, not a type: Resolved 8 · Open-ended 7 · Ambiguous 12

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
18
Absurd
9
Melancholic
11
Dread
9
Contemplative
8
Other
15

How their films end · 6 with a twist

  • Happy4
  • Bittersweet6
  • Tragic5
  • Ambiguous11
  • Cyclical1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Luis Buñuel's films?

As of October 24, 2026, 18 of their 29 MovieCove titles stream on a subscription or free service, most on Tubi (9).

Subscription and free streaming for Luis Buñuel's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

58 credits, 29 with a MovieCove page; 20 appearances as themselves are hidden until asked for.

  • Short Cuts: “The Diary of a Chambermaid” by Luis Buñuel (not in the MovieCove catalog yet)(2026)

    Original Film Writer

  • Constel·lació Portabella (not in the MovieCove catalog yet)(2024)

    as (archive footage)

  • The Metropolitan Opera: The Exterminating Angel (not in the MovieCove catalog yet)(2017)

    Original Story

  • Belle toujours(2006)

    Thanks

    Midcredits score: 54th percentile of all films
  • Eating Sea Urchins (not in the MovieCove catalog yet)(2000)

    Director

  • La novia de medianoche (not in the MovieCove catalog yet)(1997)

    Screenplay

  • Paco, mi padre (not in the MovieCove catalog yet)(1992)

    Actor

  • A Play About Remembering and Dying (not in the MovieCove catalog yet)(1984)

    Novel

  • That Obscure Object of Desire(1977)

    Director · Screenplay

    Midcredits score: 97th percentile of all films
  • The Phantom of Liberty(1974)

    Director · Sound Effects · Writer · as Condemned Man (uncredited)

    Midcredits score: 94th percentile of all films
  • Fall of a Body (not in the MovieCove catalog yet)(1973)

    as Un invité (uncredited)

  • The Monk(1972)

    Screenplay

    Midcredits score: 27th percentile of all films
  • The Discreet Charm of the Bourgeoisie(1972)

    Director · Screenplay · Sound Effects

    Midcredits score: 95th percentile of all films
  • Johnny Got His Gun(1971)

    Writer

    Midcredits score: 96th percentile of all films
  • Tristana(1970)

    Director · Producer · Screenplay

    Midcredits score: 92nd percentile of all films
  • The Milky Way(1969)

    Director · Composer · Writer · as (voice) (uncredited)

    Midcredits score: 88th percentile of all films
  • Belle de Jour(1967)

    Director · Screenplay · as Man in Gardencafe - Left from the Duke (uncredited)

    Midcredits score: 94th percentile of all films
  • There Are No Thieves in This Village (not in the MovieCove catalog yet)(1965)

    Actor

  • Simon of the Desert(1965)

    Director · Dialogue · Screenplay · Story

    Midcredits score: 97th percentile of all films
  • Weeping for a Bandit (not in the MovieCove catalog yet)(1964)

    as El verdugo

  • Diary of a Chambermaid(1964)

    Director · Editor · Writer

    Midcredits score: 90th percentile of all films
  • The Exterminating Angel(1962)

    Director · Dialogue · Screenplay

    Midcredits score: 96th percentile of all films
  • Viridiana(1961)

    Director · Editor · Screenplay

    Midcredits score: 97th percentile of all films
  • The Young One(1960)

    Director · Screenplay

    Midcredits score: 88th percentile of all films
  • Fever Mounts at El Pao(1959)

    Director · Writer

    Midcredits score: 71st percentile of all films
  • Nazarin(1959)

    Director · Screenplay

    Midcredits score: 95th percentile of all films
  • Death in the Garden(1956)

    Director · Editor · Screenplay

    Midcredits score: 69th percentile of all films
  • This is Called Dawn(1956)

    Director · Writer

    Midcredits score: 72nd percentile of all films
  • Midcredits score: 94th percentile of all films
  • The River and Death (not in the MovieCove catalog yet)(1954)

    Director · Writer

  • Robinson Crusoe(1954)

    Director · Screenplay

    Midcredits score: 64th percentile of all films
  • Wuthering Heights (not in the MovieCove catalog yet)(1954)

    Director · Adaptation · Story

  • Illusion Travels by Streetcar(1954)

    Director · Editor

    Midcredits score: 79th percentile of all films
  • The Proud and the Beautiful(1953)

    as Smuggler (uncredited)

    Midcredits score: 81st percentile of all films
  • Él (not in the MovieCove catalog yet)(1953)

    Director · Adaptation · Screenplay

  • The Brute(1953)

    Director · Writer

    Midcredits score: 87th percentile of all films
  • A Woman Without Love(1952)

    Director · Screenplay

    Midcredits score: 53rd percentile of all films
  • Mexican Bus Ride (not in the MovieCove catalog yet)(1952)

    Director · Adaptation

  • Daughter of Deceit (not in the MovieCove catalog yet)(1951)

    Director

  • Susana(1951)

    Director · Editor · Writer

    Midcredits score: 84th percentile of all films
  • Si usted no puede, yo sí (not in the MovieCove catalog yet)(1951)

    Writer

  • The Young and the Damned(1950)

    Director · Editor · Screenplay

    Midcredits score: 99th percentile of all films
  • The Great Madcap (not in the MovieCove catalog yet)(1949)

    Director

  • Gran Casino (not in the MovieCove catalog yet)(1947)

    Director

  • Espagne 1937 (not in the MovieCove catalog yet)(1938)

    Production Manager

  • Guard! Alert! (not in the MovieCove catalog yet)(1937)

    Co-Director · Production Director

  • Spain 1936 (not in the MovieCove catalog yet)(1937)

    Producer · Screenplay

  • Who Loves Me? (not in the MovieCove catalog yet)(1936)

    Co-Director · Production Director · Screenplay

  • The Daughter of Juan Simón (not in the MovieCove catalog yet)(1935)

    Production Director

  • Don Quintin the Bitter (not in the MovieCove catalog yet)(1935)

    Producer · Screenplay

  • Land Without Bread (not in the MovieCove catalog yet)(1933)

    Director · Editor · Producer · Screenplay

  • L'Age d'Or(1930)

    Director · Composer · Editor · Screenplay · as (uncredited)

    Midcredits score: 81st percentile of all films
  • Un Chien Andalou (not in the MovieCove catalog yet)(1929)

    Director · Editor · Producer · Screenplay · as Man in Prologue (uncredited)

  • Montparnasse (not in the MovieCove catalog yet)(1929)

    Actor

  • The Fall of the House of Usher(1928)

    Adaptation · Assistant Director · Writer

    Midcredits score: 86th percentile of all films
  • Siren of the Tropics(1927)

    Assistant Director

    Midcredits score: 53rd percentile of all films
  • Mauprat (not in the MovieCove catalog yet)(1926)

    Production Assistant · as Monk / Guardsman

  • Carmen (not in the MovieCove catalog yet)(1926)

    Assistant Director · as Contrebandier chez lillas pastia

Career shape

A full career of 58 titles from 1926 to 2026.

Film career

  • 1929Screen debut· Un Chien Andalou

By role

only this rolewith another role
Acting14 of 58: 7 only acting, 7 with another role · typical Midcredits score88thDirecting35 of 58: 4 only directing, 31 with another role · typical Midcredits score90thWriting39 of 58: 7 only writing, 32 with another role · typical Midcredits score90thProducing5 of 58: 0 only producing, 5 with another roleMusic2 of 58: 0 only music, 2 with another roleEditing7 of 58: 0 only editing, 7 with another role · typical Midcredits score84thOther crew11 of 58: 4 only other crew, 7 with another role · typical Midcredits score86th

58 titles, 36 with more than one role — writing and directing overlap on 29 of them.

By decade

1920s6 · 4 acting · 5 crew1930s8 · 1 acting · 8 crew1940s2 · crew1950s18 · 1 acting · 17 crew1960s9 · 4 acting · 7 crew1970s7 · 2 acting · 6 crew1980s1 · crew1990s2 · 1 acting · 1 crew2000s2 · crew2010s1 · crew2020s2 · 1 acting · 1 crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Luis Buñuel's films land?

Their typical MovieCove film has a Midcredits score in the 88th percentile, the median of all 29; across their 27 films with reception data, the typical film sits in the 86th percentile for acclaim.

Acclaim · how much people like their films

86thpercentile
Typical film, the median of 27

Approval · how many liked their films

88thpercentile
Typical film, the median of 27

Reach · how many have seen their films

78thpercentile
Typical film, the median of 27

Midcredits score across 29 titles, by percentile

  • 75th and up21
  • 50th to 74th7
  • 25th to 49th1

Shape of the crowd

16 of their 29 titles are Crowd Pleasers.

  • Universally Loved11
  • Crowd Pleaser16
  • Mixed2

Reviewers score the dialogue 58/100 and the plot and story 55/100 in their films, across 27 reviewed titles. The element that speaks to their work as a writer.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Luis Buñuel's work okay for kids?

Across up to 10 MovieCove titles with content scores, every category sits near the median of all films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore8 titles36–65 · median 44 · moderatenear the median of all filmsMedian of all films: 44
Sex & Nudity10 titles21–55 · median 37 · moderatenear the median of all filmsMedian of all films: 32
Profanity5 titles11–34 · median 26 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs8 titles24–42 · median 37 · moderatenear the median of all filmsMedian of all films: 33
Frightening / Intense8 titles35–70 · median 39 · moderatenear the median of all filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Luis Buñuel work with?

People who share at least 2 of Luis Buñuel's MovieCove titles, grouped by what they did on them; Jean-Claude Carrière shares the most, 7.

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles