Skip to content
MovieCove
Jean-Jacques Annaud

Jean-Jacques Annaud

Director, writer and producer, also actor · Born October 1, 1943 (83) · Juvisy-sur-Orge, Essonne, France

Annaud was born in Juvisy-sur-Orge, Essonne. He was educated at the technical school in Vaugirard and in 1964 graduated from the prestigious film school Institut des Hautes Études Cinématographiques (IDHEC) in Paris. He began his career by directing television advertisements in the late 1960s to early 1970s. In his first feature film, Black and White in Color from 1976, he used personal experience obtained during his own military service in Cameroon. The film won an Academy Award for the Best Foreign Language Film. His third film Quest for Fire (La Guerre du feu) received two Césars for best film and best director. In 1986 he directed The Name of the Rose, a film adaptation of Umberto Eco's popular novel of the same name. The film version, with a screenplay written by Andrew Birkin, won two BAFTA Film Awards and was the subject of another 14 wins & two nominations. Jean-Jacques Annaud spent four years preparing for the film, traveling throughout the United States as well as Europe, searching for the perfect cast and film set locations. He supposedly felt personally intrigued by the project, among other things because of a lifelong fascination with medieval churches and a great familiarity with Latin and Greek.[citation needed] For Seven Years in Tibet, a film adaptation of the life of Heinrich Harrer, he has received a lifelong denial of entry to China, as have starring actors Brad Pitt and David Thewlis. In 2000 he wrote and produced Running Free directed by Sergei Bodrov. He also directed the 2001 film Enemy at the Gates, detailing the exploits of Vassili Zaitsev during the Battle of Stalingrad. His latest work was filmed in the year 2006, a film known by the name His Majesty Minor, which was filmed in Benitatxell and Benigembla, basically in the district of the Marina Alta, which is located in the Valencian Community. Annaud's next project will be the film adaptation of the award-winning best-selling Chinese novel Wolf Totem.

Read more

Biography from TMDB.

Born
October 1, 1943 (83)
From
Juvisy-sur-Orge, Essonne, France
Works as
Director, writer and producer, also actor
Titles
17 on MovieCove · 19 credits in all
TMDB popularity, last 37 days to Oct 26Down 10% in 30 days

What are Jean-Jacques Annaud's films like?

Across their 21 MovieCove titles with a thematic analysis, their films lean Bonds and Survival.

What they feel like to watch

their average across 20 films
ToneFeelDemandtheir average · filled zone: the category

A split, not a type: Grounded 9 · Stylized 7 · Heightened 4

Gentle 6 · Charged 10 · Intense 4

Steady 13 · Shifting 7 · Whiplash 0

Straight-faced 16 · Some laughs 2 · Funny 2

Slow burn 13 · Even-paced 6 · Relentless 1

Casual 7 · Engaged 10 · Full focus 3

Resolved 16 · Open-ended 4 · Ambiguous 0

Moods and endings

endings are an aggregate; no title is named

Dominant moods · mentions across their titles

Tense
11
Contemplative
7
Warm
6
Melancholic
7
Hopeful
7
Other
12

How their films end · 2 with a twist

  • Happy8
  • Bittersweet12
  • Ambiguous1

AI-generated from each title's plot synopsis and cast list, with extra plot summaries, reviews and Parents Guide notes for titles the model may not know, and the model's own knowledge of the ones it recognizes. Only analyzed titles count, so this covers part of the filmography; the feel axes count films only for now.

Where can I watch Jean-Jacques Annaud's films?

As of October 24, 2026, 8 of their 17 MovieCove titles stream on a subscription or free service, most on Tubi (6).

Subscription and free streaming for Jean-Jacques Annaud's titles on MovieCove; rent and buy are not counted. Titles are listed by Midcredits score, highest first, at most 12 per service; a dashed chip is a producer credit or a minor one, such as a thanks. A service opens the browse page, which counts movies only, so its number can differ.

Filmography

19 credits, 17 with a MovieCove page; 23 appearances as themselves are hidden until asked for.

  • Notre-Dame on Fire(2022)

    Director · Writer

    Midcredits score: 59th percentile of all films
  • The Truth About the Harry Quebert Affair(2018)

    Show 10 episodes · Director · Executive Producer

    Midcredits score: 73rd percentile of all shows
  • Genghis Khan(2018)

    Producer

    Midcredits score: 15th percentile of all films
  • Wolf Totem(2015)

    Director · Producer · Screenplay

    Midcredits score: 67th percentile of all films
  • Day of the Falcon(2011)

    Director · Adaptation

    Midcredits score: 62nd percentile of all films
  • Sa majesté Minor(2007)

    Director · Producer · Writer

    Midcredits score: 5th percentile of all films
  • Two Brothers(2004)

    Director · Original Story · Producer · Screenplay

    Midcredits score: 82nd percentile of all films
  • Enemy at the Gates(2001)

    Director · Producer · Screenplay

    Midcredits score: 92nd percentile of all films
  • Running Free(1999)

    Producer · Writer

    Midcredits score: 35th percentile of all films
  • Seven Years in Tibet(1997)

    Director · Producer

    Midcredits score: 85th percentile of all films
  • Wings of Courage(1995)

    Director · Producer · Screenplay

    Midcredits score: 59th percentile of all films
  • The Lover(1992)

    Director · Screenplay

    Midcredits score: 71st percentile of all films
  • The King of Ads (not in the MovieCove catalog yet)(1991)

    Director

  • The Bear(1988)

    Director

    Midcredits score: 95th percentile of all films
  • The Name of the Rose(1986)

    Director

    Midcredits score: 95th percentile of all films
  • Quest for Fire(1981)

    Director

    Midcredits score: 88th percentile of all films
  • Hothead (not in the MovieCove catalog yet)(1979)

    Director

  • I'm Shy, But I'll Heal(1978)

    Screenplay

    Midcredits score: 60th percentile of all films
  • Black and White in Color(1976)

    Director · Writer

    Midcredits score: 67th percentile of all films

Career shape

A full career of 18 titles from 1976 to 2022.

By role

only this rolewith another role
Directing16 of 18: 5 only directing, 11 with another role · typical Midcredits score72ndWriting11 of 18: 1 only writing, 10 with another role · typical Midcredits score62ndProducing7 of 18: 0 only producing, 7 with another role · typical Midcredits score73rd

18 titles, 12 with more than one role — directing and writing overlap on 9 of them.

By decade

1970s3 · crew1980s3 · crew1990s5 · crew2000s3 · crew2010s3 · crew2020s1 · crew

Counts from TMDB across their full career, self appearances out; a title counts in every role they held on it. The ring is the typical Midcredits score (the median percentile) of the role's titles that are on MovieCove, shown from 5 scored.

How do Jean-Jacques Annaud's films land?

Their typical MovieCove film has a Midcredits score in the 67th percentile, the median of all 16; across their 20 films with reception data, the typical film sits in the 64th percentile for acclaim.

Acclaim · how much people like their films

64thpercentile
Typical film, the median of 20

Approval · how many liked their films

67thpercentile
Typical film, the median of 20

Reach · how many have seen their films

72ndpercentile
Typical film, the median of 20

Midcredits score across 17 titles, by percentile

  • 75th and up6
  • 50th to 74th8
  • 25th to 49th1
  • Below 25th2

Shape of the crowd

11 of their 17 titles are Crowd Pleasers.

  • Universally Loved3
  • Divisive1
  • Cult Classic1
  • Crowd Pleaser11
  • Mixed1

Reviewers score the atmosphere 76/100 and the pacing 45/100 in their films, across 14 reviewed titles. The element that speaks to their work as a director.

Percentiles are each film's standing among all films on MovieCove; the typical film is the median, so one outlier cannot drag it. Percentiles and reviewer scores count the films IMDb credits them on, for now; the Midcredits score bands, the shape of the crowd and the two cards count their MovieCove titles, shows included (a show ranked among shows), appearances as themselves left out. A descriptor is the shape of a title's IMDb rating distribution against the catalog; "most divisive" needs a spread wider than half of all titles, and a card names only a principal credit: a craft role, and on a show a crew role or a run of episodes, never a courtesy credit or a one-off guest spot.

Is Jean-Jacques Annaud's work okay for kids?

Across up to 7 MovieCove titles with content scores, violence & gore, sex & nudity and frightening / intense run heavier than most films.

Their medianMedian of all filmsMiddle 80% of their titles
Violence & Gore6 titles41–91 · median 73 · intenseheavier than most filmsMedian of all films: 44
Sex & Nudity7 titles21–77 · median 57 · moderateheavier than most filmsMedian of all films: 32
Profanity6 titles11–32 · median 28 · mildnear the median of all filmsMedian of all films: 36
Alcohol & Drugs6 titles4–43 · median 27 · mildnear the median of all filmsMedian of all films: 33
Frightening / Intense6 titles36–69 · median 59 · moderateheavier than most filmsMedian of all films: 39

Severity 0–100 from the Content Guide. Categories with under 10 votes on a title are not counted. The band's colour is the severity of their median, named beside it.

Who does Jean-Jacques Annaud work with?

People who share at least 2 of Jean-Jacques Annaud's MovieCove titles, grouped by what they did on them; Alain Godard shares the most, 7.

Writers

Actors

Composers, cinematographers and editors

Producers

Mixed roles