Skip to content
MovieCove
Tutto tutto niente niente

Tutto tutto niente niente

201296 minMidcredits score: 15th percentile of all films
Director
Giulio Manfredonia
Starring
Antonio Albanese, Fabrizio Bentivoglio, Lunetta Savino, Nicola Rignanese

Cetto and its city council were arrested, but in prison the conspiratorial former mayor makes no earning name as the gratitude of the powerful secretary. These decide to replace some MPs mysteriously killed precisely with Cetto and two other characters: Rodolfo Favaretto and Frengo Stop

Where to watch

Where can I watch Tutto tutto niente niente?

As of October 24, 2026, MovieCove does not list Tutto tutto niente niente on any major US streaming service.

Your rating, lists and review

Highlights

What stands out about Tutto tutto niente niente?

Tutto tutto niente niente earns 2 badges, led by Broadly Agreed and Award Nominee.

  • Reception
  • Awards and box office

Reception

Is Tutto tutto niente niente worth watching?

Tutto tutto niente niente's Midcredits score is the 15th percentile of all films, from 3.3K ratings across 4 sources. 17% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

15th percentile

Better received than 15% of films

14th percentile among Comedy16th percentile among 2010s
Acclaim (how much people like it)28th
Approval (how many liked it)5th

55 /100

28th percentile of all films

30th percentile among Comedy31st percentile among 2010s

Rating distribution

The crowd leans negative, with most ratings sitting in the bottom half of the scale.

17% liked it

5th percentile of all films

4th percentile among Comedy5th percentile among 2010s
17% rated it 7–1083% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 0 wins / 3 noms overall

Reach

How many have seen it

63rd percentile

3.3K ratings across platforms

57th percentile among Comedy66th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Down 23% in 30 days

Box office

Budget€5M

In euro, not converted to dollars.

Worldwide gross$11M

75th percentile earner in its genre.

Watch experience

What is Tutto tutto niente niente like to watch?

Conclusions only — categories and positions, no plot detail.

Easy laugh: browse every movie of this kind

Watch this when you want something that makes you laugh and does not take itself seriously.

It leaves you unsettled.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Very little.

What it feels like

Easy laugh.

Moods
AbsurdManic
Heaviest: middle
Satirical humor
Register
Satirical · 5% of filmsAbsurdist · 7% of films: Deliberately illogical; embraces nonsense.
Told as
Episodic · 13% of films: Loosely connected incidents rather than one driving plot.Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film holds its political satire at a knowing, ironic distance with surreal and cruel humor, often undercutting its own drama.
The rideThe film jumps between absurd sketches with a satirical edge, likely peaking in the middle as the characters navigate prison and political conspiracies.
StructureThe film is described as a collection of sketches, suggesting an episodic structure, though it likely follows a loose three-act arc of imprisonment and plotting.

How it leaves you

what you carry away

Unsettled.

UnsettlingThought-provoking
Why it leaves you this wayThe cruel satire and political critique may leave the viewer unsettled about Italian politics, while also provoking thought about corruption.
How it ends · evidence
Ambiguous ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Comedy
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11% (this title): Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1% (this title)
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Comedy: Confusion and cross-purposes resolved into harmony. · Comedy of manners: Social codes and class satirized (Clueless).

11% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeThe synopsis and reviews describe a satirical comedy about three men in prison, united by politics and dark forces, resembling a collection of sketches that expose political corruption.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfCorruption
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7% (this title): Power 2% · Corruption 3% (this title) · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% (this title) · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Power

Corruption · 3% of filmsPrejudice · 3% of films
Satirizes its theme: Attacks its theme through ridicule.Societal stakes: Consequences reach a whole social order.Ensemble lead
How it treats its themeThe film satirizes political corruption and the absurdity of Italian politics, with a secondary thread of prejudice through a northern racist character.
StanceThe film satirizes political corruption in Italy, treating its theme with ridicule through three main characters.

The world

ContemporaryInstitutionalUrbanStylized realism
Orchestral modernSupportive music · original score · Paolo Buonvino
SettingItalian political satire set in a prison and political circles

Content guide

Is Tutto tutto niente niente okay for kids?

Ratings in 1 other country
  • ItalyT

No detailed content scores for this title yet.

What content warnings does Tutto tutto niente niente have?

Not screened for content warnings yet.

Cast and crew

Who is in Tutto tutto niente niente?

Cast

Antonio Albanese
as Cetto La Qualunque
Fabrizio Bentivoglio
as Sottosegretario
Lunetta Savino
as Madre di Frengo
Nicola Rignanese
as Pino
Lorenza Indovina
as Carmen La Qualunque
Maria Rosaria Russo
as Assistente Sottosegretario
Davide Giordano
as Melo La Qualunque
Teco Celio
as Vescovo
Paolo Villaggio
as Presidente del Consiglio
Federico Torre
as Avvocato

Crew

More like this

What are movies like Tutto tutto niente niente?

Movies like Tutto tutto niente niente include Herod's Law (1999) and Wag the Dog (1997), both comedies of manners.

Balanced: every group counts the same, and production only breaks ties.

Explore by

What else shares a premise, people or place with Tutto tutto niente niente?

560 other films share the rarest tag below, follows: politician. Each tag opens Browse with the films that share it.