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Three Colors: Pan-African

Three Colors: Pan-African

Blackness is not a monolith

2026123 minMidcredits score: 89th percentile of all films (provisional, few ratings)
Starring
Bashir Salahuddin, Loretta Devine, Peyton 'Alex' Smith, Sibongile Mlambo

An anthology feature film exploring contemporary Black existence through the Pan-African flag: A collegiate football star scrambles to save his career after a devastating injury fractures his sense of self-worth; a Ghanaian single mother loses her job and faces deportation as an unlikely group of heroes rally around her; the lead of a struggling Black sitcom questions the cost of success as the network forces the show into racist caricature to boost ratings.

Where to watch

Where can I watch Three Colors: Pan-African?

As of October 24, 2026, MovieCove does not list Three Colors: Pan-African on any major US streaming service.

Your rating, lists and review

Highlights

What stands out about Three Colors: Pan-African?

Three Colors: Pan-African earns 1 badge: Award Winner.

Reception

Is Three Colors: Pan-African worth watching?

Three Colors: Pan-African's Midcredits score is the 89th percentile of all films, from 24 ratings (very few ratings yet, so treat it as provisional). 71% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

89th percentile

Better received than 89% of films

Very few ratings yet, so treat it as provisional.

93rd percentile among Comedy89th percentile among 2020s
Acclaim (how much people like it)94th
Approval (how many liked it)80th

77 /100

Very few ratings yet, so treat it as provisional.

94th percentile of all films

97th percentile among Comedy92nd percentile among 2020s

Rating distribution

Big peaks at both ends — people either love this or bounce off it hard.

71% liked it

80th percentile of all films

86th percentile among Comedy80th percentile among 2020s
71% rated it 7–1029% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 2 wins / 1 noms overall

Reach

How many have seen it

20th percentile

24 ratings across platforms

14th percentile among Comedy20th percentile among 2020s
TMDB popularity, last 37 days to Oct 26Down 20% in 30 days

Watch experience

What is Three Colors: Pan-African like to watch?

Conclusions only — categories and positions, no plot detail.

No single mood: browse every movie of this kindNo one kind of watch fits it, so it is described by how heavy it is.

Watch this when you are ready for heavy feelings, and you want something serious.

It leaves you thinking. Skip it when you want an easy night.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Room for heavy feelings.

What it feels like

Moods
MelancholicTenseContemplative
Heaviest: throughout
Register
Solemn: Grave and dignified; treats its subject with weight and respect.Warm
Told as
Episodic · 13% of films: Loosely connected incidents rather than one driving plot.
ToneThe film treats its characters' struggles with gravity and empathy, without winking at the audience.
The rideEach segment carries emotional weight, with themes of loss, struggle, and introspection.
StructureThree distinct segments linked by theme, not by overlapping characters or events.

How it leaves you

what you carry away

Thinking.

Thought-provokingHopeful
Why it leaves you this wayThe film leaves the viewer reflecting on the challenges and resilience of Black identity, with a sense of cautious optimism.
How it ends · evidence
Ambiguous ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22% (this title)

No archetype fits — true of 22% of films: ensemble pieces, satire, slice-of-life.

Why this archetypeAnthology film with three independent segments; no single plot archetype spans the whole.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfIdentitySelf
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22% (this title): Identity 14% (this title) · Coming of age 5% · Aging under 1% · Self-worth 7% (this title) · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% (this title) · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Self

Identity · 14% of filmsSelf-worth · 7% of filmsOppression · 4% of films
Interrogates its theme: Questions its theme without settling the answer.Societal stakes: Consequences reach a whole social order.Ensemble lead
How it treats its themeThe film uses three distinct stories to examine aspects of Black identity and systemic challenges.
StanceThe film uses three distinct stories to examine aspects of Black identity and systemic challenges, questioning the cost of prosperity and the struggle for agency.

The world

ContemporaryUrbanRealistic
Orchestral modernSupportive music · original score
SettingContemporary America, across professional sports, immigration courts, and television studios

Cast and crew

Who is in Three Colors: Pan-African?

Cast

Bashir Salahuddin
as Jontavious 'John' Rodgers
Loretta Devine
as Nana (segment: GOLD: Prologue)
Peyton 'Alex' Smith
as Ahmari (segment: RED: Black Men Don't Cry)
Sibongile Mlambo
as Joana Mensa (segment: BLACK: Breadman)
Stephen Bishop
as Uncle Steve (segment: RED: Black Men Don't Cry)
Kimrie Lewis
as Courtney Witherspoon
Jadah Marie
as Makayla Johnson
Amarr
as Kel Kirby-Smith
Juanita Jennings
as Felicia Richards
Lathan Ava
as Amma Mensa (segment: BLACK: Breadman)

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