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Think Like a Man Too

Think Like a Man Too

2014106 minPG-13Midcredits score: 32nd percentile of all films
Director
Tim Story
Starring
Adam Brody, Michael Ealy, Jerry Ferrara, Meagan Good

All the couples are back for a wedding in Las Vegas, but plans for a romantic weekend go awry when their various misadventures get them into some compromising situations that threaten to derail the big event.

Where to watch

Where can I watch Think Like a Man Too?

As of October 24, 2026, MovieCove lists Think Like a Man Too streaming on Paramount+ via Prime Video and Tubi (free) and to rent or buy on Prime Video.

Your rating, lists and review

Highlights

What stands out about Think Like a Man Too?

Think Like a Man Too earns 7 badges, led by Box Office Hit and Award Winner.

  • Reception
  • Craft and mood
  • Awards and box office

Reception

Is Think Like a Man Too worth watching?

Think Like a Man Too's Midcredits score is the 32nd percentile of all films, from 46K ratings across 6 sources. 37% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

32nd percentile

Better received than 32% of films

36th percentile among Comedy33rd percentile among 2010s
Acclaim (how much people like it)33rd
Approval (how many liked it)33rd

57 /100

33rd percentile of all films

36th percentile among Comedy35th percentile among 2010s

Critics 38 · Audience 58

Audiences liked it more than critics did.

Rating distribution

A broad spread centered near 6.0 — solid but not unanimous.

37% liked it

33rd percentile of all films

36th percentile among Comedy33rd percentile among 2010s
37% rated it 7–1063% rated it 1–6

Critics 23% · Audience 59%

On Rotten Tomatoes, a bigger share of audiences approved than critics.

Awards

0 Oscars won · 0 Oscar noms · 2 wins / 4 noms overall

93rd percentile

46K ratings across platforms

93rd percentile among Comedy93rd percentile among 2010s
TMDB popularity, last 37 days to Oct 26

Box office

Budget$24M
Opening weekend$29M
Domestic gross$65M
Worldwide gross$70M

Returned 2.9× its budget — 93rd percentile earner in its genre.

What reviewers say

Common ground

Both camps agree the film is a derivative, Vegas-set comedy leaning heavily on Kevin Hart's manic persona and ensemble chemistry, but disagree on whether that makes it fun or tiresome.

Fans praised

  • strong ensemble cast chemistry and camaraderie
  • Kevin Hart's manic energy delivers laughs
  • lighthearted, fun escape with relatable relationship dynamics

Detractors panned

  • derivative Hangover clone without originality
  • Kevin Hart's performance is obnoxious and overexposed
  • forced, unfunny script with predictable Vegas tropes

What stands out

ActingDivisive65

cast chemistry praised but some performances feel forced; Hart polarizing

HumorDivisive45

Hart's antics get laughs but humor feels forced and repetitive

PacingDivisive45

uneven, some scenes drag, overall disjointed

CharactersDivisive40

characters underdeveloped, one-dimensional, reduced to stereotypes

Emotional impact40

some touching relationship moments but mostly shallow

DialogueDivisive35

jokes often fall flat, repetitive shouting, weak punchlines

Plot and storyDivisive30

predictable wedding-gone-wrong structure, no real story

Originality20

unoriginal rehash of Hangover formula and first film

Preferred by

Women vs men

Preferred by Women

Women scored it 12 points higher than men.

Under-30s vs over-30s

Preferred by Under-30s

Under-30s scored it 10 points higher than over-30s.

Critics vs users

Preferred by Users

Users scored it 11 points higher than critics.

No notable difference between the other groups: each pair ranks it within 10 percentile points.

  • US vs non-US 1 point apart

Watch experience

What is Think Like a Man Too like to watch?

Conclusions only — categories and positions, no plot detail.

Easy laugh: browse every movie of this kind

Watch this when you want something light that makes you laugh and does not take itself seriously.

It is gentle and leaves you entertained. Skip it when you want something with weight.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Very little.

What it feels like

Easy laugh.

Moods
JoyfulTriumphant
Heaviest: late
Wry humor: Amused and slightly dry about it.
Register
WarmPlayful
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film treats its characters' chaotic misadventures with affectionate, broad comedy, never undercutting their feelings or the romantic stakes.
The rideThe film is likely a light-hearted comedy building to a wedding climax, with joyful and triumphant moods dominant.
StructureThe story unfolds in a conventional beginning-middle-end order, following the pre-wedding parties, the mishaps, and the eventual resolution.

How it leaves you

what you carry away

Entertained.

FunFeel-good
Why it leaves you this wayThe film is a light, entertaining comedy that leaves the viewer smiling and ready to move on, with no lingering emotional weight.
How it ends · evidence
Happy ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Comedy
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11% (this title): Romantic comedy 4% · Comedy of errors 3% (this title) · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Comedy: Confusion and cross-purposes resolved into harmony. · Comedy of errors: Mistaken identity or misunderstanding drives the plot.

11% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeThe film follows multiple couples whose well-laid Las Vegas wedding plans unravel through a chain of misadventures and misunderstandings, driven by character foibles rather than a single plot device.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfMarriageBonds
Every theme, clockwise from the top
  • Bonds 27% (this title): Romantic love 15% (this title) · Marriage 2% (this title) · Family bonds 21% · Parenthood 2% · Friendship 9% (this title) · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Bonds

Marriage · 2% of filmsRomantic love · 15% of filmsFriendship · 9% of films
Celebrates its theme: Affirms its theme — this is good and worth having.Intimate stakes: Consequences reach a person or a household.Ensemble lead
How it treats its themeThe film centers on couples navigating relationship pitfalls and romantic commitments, with a wedding as the central event.
StanceThe film appears to celebrate romantic commitment and partnership, with an ensemble of couples.

The world

ContemporaryUrbanIn transitRealistic
PopSupportive music · hybrid
SettingLas Vegas wedding weekend with various couples

Content guide

Is Think Like a Man Too okay for kids?

PG-13

Think Like a Man Too is rated PG-13: “Rated PG-13 for crude sexual content including references, partial nudity, language and drug material” (MPAA). As of August 31, 2026, Midcredits content scores put its violence at moderate (56/100), sexual content at intense (73/100), language at intense (67/100), drug and alcohol content at intense (76/100) and frightening material at mild (17/100). Its violence, language, drug and alcohol content and frightening material have too few votes to rank.

Ratings in 9 other countries
  • Germany12
  • France10
  • Ireland12
  • Belgium16
  • Denmark7
  • Hungary18
  • Netherlands12
  • RO15
  • Sweden15
Overall
Intense · all five categories
not ranked
Violence & Gore
Moderate
too few votes to rank (6 votes)
Sex & Nudity
Intense · audience split: No severity level holds a majority of voters
heavy for a PG-13-rated film
heavier than 99%
Profanity
Intense · audience split: No severity level holds a majority of voters
too few votes to rank (8 votes)
Alcohol & Drugs
Intense · audience split: No severity level holds a majority of voters
too few votes to rank (7 votes)
Frightening / Intense
Mild
too few votes to rank (6 votes)

Point along a line to see a well-known title at that level.

Too few votes to rank this title overall (42 votes across 5 categories; ranking needs 10 in at least three).

Source: Midcredits content scores, 0 (none) to 100 (severe) per category, with each standing ranked against other films that have them.

What content warnings does Think Like a Man Too have?

Not screened for content warnings yet.

Cast and crew

Who is in Think Like a Man Too?

Cast

Adam Brody
as Isaac
Career best: Their highest-reaching film role by billing, audience size and rating.Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Michael Ealy
as Dominic
Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Jerry Ferrara
as Jeremy
Meagan Good
as Mya
Regina Hall
as Candace
Kevin Hart
as Cedric
Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Dennis Haysbert
as Uncle Eddie
Veteran: 15 or more years in, with as much work as the typical long-career actor.
Taraji P. Henson
as Lauren
Terrence Jenkins
as Michael
Jenifer Lewis
as Loretta
Veteran: 15 or more years in, with as much work as the typical long-career actor.

Crew

More like this

What are movies like Think Like a Man Too?

Movies like Think Like a Man Too include Think Like a Man (2012), You, Me and Dupree (2006) and 72 Hours (2026). Of the 12 closest matches, two are films written by Keith Merryman and David A. Newman, and several are films about marriage.

Balanced: every group counts the same, and production only breaks ties.

Tim Story directed 3 of these 12. Those cards say what else they share.

Explore by

What else shares a premise, people or place with Think Like a Man Too?

6.2K other films share the rarest tag below, kind of film: romcom. Each tag opens Browse with the films that share it.