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Kicking Out Shoshana

Kicking Out Shoshana

Love is a sport... and the game is on.

Director
Shay Kanot

Ami Shoshan is the star of the "Sons of Jerusalem" football club, a team known for its violent, racist and homophobic fans. One unfortunate evening Shoshan flirts with a beautiful woman not knowing that she is the mistress of a local Mafia boss, “Blackie” Bokovza. The punishment for this offence is that Ami must summon a press conference and announce that he is gay.

Where can I watch Kicking Out Shoshana?

As of October 24, 2026, MovieCove lists Kicking Out Shoshana streaming on Tubi (free) and to rent or buy on Apple TV.

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What stands out about Kicking Out Shoshana?

Kicking Out Shoshana earns 1 badge: Divisive.

Is Kicking Out Shoshana worth watching?

Kicking Out Shoshana's Midcredits score is the 13th percentile of all films, from 1.3K ratings across 4 sources. 23% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

13th percentile

Better received than 13% of films

12th percentile among Comedy14th percentile among 2010s
Acclaim (how much people like it)18th
Approval (how many liked it)12th

51 /100

18th percentile of all films

18th percentile among Comedy21st percentile among 2010s

Rating distribution

Ratings scatter across the whole scale — one of the most divisive reactions in the catalog.

Approval

How many liked it

23% liked it

12th percentile of all films

11th percentile among Comedy12th percentile among 2010s
23% rated it 7–1077% rated it 1–6

Reach

How many have seen it

63rd percentile

1.3K ratings across platforms

58th percentile among Comedy67th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Up 14% in 30 days

What is Kicking Out Shoshana like to watch?

Conclusions only — categories and positions, no plot detail.

Watch this when you want something light that makes you laugh and does not take itself seriously.

It is gentle and leaves you angry. Skip it when you want something with weight.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it feels like

Easy laugh.

Moods
AbsurdHopefulWarm
Heaviest: middle
Wry humor: Amused and slightly dry about it.
Register
Absurdist · 7% of films: Deliberately illogical; embraces nonsense.Satirical · 5% of films
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film plays its premise for broad, often homophobic comedy while the performer delivers the false identity with a straight face.
The rideThe film swings from the absurd setup to the hopeful acceptance by the gay community, with the emotional heaviest stretch in the middle when Ami is banished.
StructureThe synopsis suggests a conventional cause-and-effect chain: a punishment, a reaction, and the consequences that follow.

How it leaves you

what you carry away

Angry.

Infuriating · 4% of films: Leaves you angry at an injustice the film shows, never at the film.Unsettling
Why it leaves you this wayThe reliance on homophobic jokes and the protagonist's coerced false identity leave a sour, uncomfortable impression rather than a comic one.
How it ends · evidence
Bittersweet ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Comedy
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11% (this title): Romantic comedy 4% · Comedy of errors 3% (this title) · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Comedy: Confusion and cross-purposes resolved into harmony. · Comedy of errors: Mistaken identity or misunderstanding drives the plot.

11% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA football player is forced by a mafia boss to pretend to be gay as punishment, leading to mistaken assumptions and a cascade of complications.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfIdentitySelf
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22% (this title): Identity 14% (this title) · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% (this title) · Isolation 5% · Prejudice 3% (this title) · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Self

Identity · 14% of filmsPrejudice · 3% of filmsCommunity · 14% of films: Consequences reach a town, institution or group.
Satirizes its theme: Attacks its theme through ridicule.Community stakes: Consequences reach a town, institution or group.Single lead
How it treats its themeThe film pivots on Ami's forced false identity and his subsequent acceptance by the gay community, exploring prejudice and the redefinition of self.
StanceThe film uses the absurd premise to mock homophobia in sports and society, satirizing prejudice while leaning toward celebration of the gay community.

The world

ContemporaryUrbanRealistic
PopSupportive music · hybrid
SettingJerusalem's football scene and gay community

Is Kicking Out Shoshana okay for kids?

As of August 31, 2026, Midcredits content scores put its violence at mild (33/100), sexual content at mild (33/100), language at intense (67/100), drug and alcohol content at intense (67/100) and frightening material at mild (33/100). None has enough votes to rank yet.

Ratings in 4 other countries
  • South Korea15
  • Brazil14
  • Russia16+
  • UA16
Overall
Moderate · all five categories
not ranked
Violence & Gore
Mild
too few votes to rank (1 vote)
Sex & Nudity
Mild
too few votes to rank (4 votes)
Profanity
Intense
too few votes to rank (1 vote)
Alcohol & Drugs
Intense
too few votes to rank (1 vote)
Frightening / Intense
Mild
too few votes to rank (1 vote)

Too few votes to rank this title overall (8 votes across 5 categories; ranking needs 10 in at least three).

Source: Midcredits content scores, 0 (none) to 100 (severe) per category, with each standing ranked against other films that have them.

What content warnings does Kicking Out Shoshana have?

Not screened for content warnings yet.

Who is in Kicking Out Shoshana?

What are movies like Kicking Out Shoshana?

Movies like Kicking Out Shoshana include Offside (2006), Can't Complain (2007) and Küçük Esnaf (2016). All three are comedies of errors and films set in the Middle East.

Balanced: every group counts the same, and production only breaks ties.

What else shares a premise, people or place with Kicking Out Shoshana?

2.1K other films share the rarest tag below, follows: athlete. Each tag opens Browse with the films that share it.