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Executor

Executor

201793 minNot RatedMidcredits score: 6th percentile of all films
Director
Moziko Wind
Starring
Paul Sorvino, Mischa Barton, Robert Miano, Eric Roberts

Kyle (Markiss McFadden), one of the many orphans raised in an orphanage by Father Antonio (Paul Sorvino) is an assassin who is sent on missions; from God. For years Father Antonio led these boys to believe they are killing in the name of God. Kyle was one of the best executioners of Father Antonio’s men. After placing a bomb in a little coffee shop to execute the owner a little boy Matthew (Aiden Wind) and his mother walks in the restaurant just seconds before the explosion. Kyle decided to save both of them but unfortunately he was only able to save the little boy. A reluctant Kyle takes him in and keeps him hidden for seven days. Through a very complex relationship Kyle discovers a different side in him he didn’t know existed. With all the fights, bullets flying, and explosions it's going to be harder than he thought keeping Matthew safe. But with the help of Kyle's beautiful neighbor Tara (Mischa Barton) it just might be possible.

Where to watch

Where can I watch Executor?

As of October 24, 2026, MovieCove lists Executor streaming on Cineverse via Prime Video, Demand Africa via Prime Video, Prime Video, The Roku Channel (free) and Tubi (free) and to rent or buy on Prime Video.

Your rating, lists and review

Highlights

What stands out about Executor?

Executor earns 1 badge: Award Winner.

Reception

Is Executor worth watching?

Executor's Midcredits score is the 6th percentile of all films, from 326 ratings across 3 sources. 18% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

6th percentile

Better received than 6% of films

12th percentile among Action7th percentile among 2010s
Acclaim (how much people like it)10th
Approval (how many liked it)6th

45 /100

10th percentile of all films

18th percentile among Action12th percentile among 2010s

Rating distribution

The crowd leans negative, with most ratings sitting in the bottom half of the scale.

18% liked it

6th percentile of all films

12th percentile among Action6th percentile among 2010s
18% rated it 7–1082% rated it 1–6

Awards

0 Oscars won · 0 Oscar noms · 2 wins / 4 noms overall

Reach

How many have seen it

31st percentile

326 ratings across platforms

19th percentile among Action35th percentile among 2010s
TMDB popularity, last 37 days to Oct 26Up 23% in 30 days

What reviewers say

Fans praised

  • excellent performances, especially Sorvino and child actors
  • extraordinary writing with realistic dialogue
  • genuine emotional depth and human tragedy

Detractors panned

  • ridiculously low budget, worse than typical B-movie
  • farfetched and unrealistic premise

What stands out

ActingDivisive80

praise for Paul Sorvino and young co-stars, one detractor also notes excellent acting

Emotional impact65

conveys human tragedy and nobility

Dialogue65

fluid and reasonable for situation

Originality60

unusual blend of hitman and tragedy

Characters60

emotive relationship between executor and boy

Plot and storyDivisive40

farfetched premise but hitman films inherently unbelievable

Pacing30

first hour too slow for action film

Effects and spectacleDivisive25

unimpressive action scenes, vlogger-grade budget

Watch experience

What is Executor like to watch?

Conclusions only — categories and positions, no plot detail.

No single mood: browse every movie of this kindNo one kind of watch fits it, so it is described by how heavy it is.

Watch this when you want something dark and affecting.

It takes its time and leaves you bittersweet. Skip it when you want things to move fast.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Patience.

What it feels like

Moods
TenseMelancholicHopefulCathartic
Heaviest: late
Register
Solemn: Grave and dignified; treats its subject with weight and respect.Brooding: Heavy, inward, weather-beaten.
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film treats its violent and emotional material with earnest seriousness.
The rideReviews note slow emotional build early and action climax late; the mood shifts from tense and bleak toward a hopeful resolve.
StructureThe synopsis suggests a straightforward linear narrative.

How it leaves you

what you carry away

Bittersweet.

BittersweetHopeful
Why it leaves you this wayThe film leaves you with a sense of both loss and the possibility of new beginnings.
How it ends · evidence
Bittersweet ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).MonsterTyrant
Every story archetype, clockwise from the top
  • Monster 21% (this title): Predator 6% · Tyrant 6% (this title) · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11%: Romantic comedy 4% · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Overcoming the monster: A threat menaces the hero's world and must be defeated. · Tyrant: A human villain holds power over the hero's world (Die Hard).

21% of films fit this archetype

with Rebirth underneath

A loose fit — the map only half-holds this one.

Why this archetypeThe story follows a hitman fighting to protect his new family from his former mentor, a corrupt priest who trained him to kill.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelf
Every theme, clockwise from the top
  • Bonds 27%: Romantic love 15% · Marriage 2% · Family bonds 21% (this title) · Parenthood 2% · Friendship 9% · Loyalty 4%
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16% (this title): Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% (this title) · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9% (this title)
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Morality

Redemption · 6% of filmsFamily bondsDeception · 9% of films
Interrogates its theme: Questions its theme without settling the answer.Intimate stakes: Consequences reach a person or a household.Single lead
How it treats its themeThe film follows a hitman searching for redemption after a mission gone wrong, as he forms an unlikely family with the orphaned boy and questions his mentor's religious manipulation.
StanceThe film examines redemption and religious manipulation through the personal journey of one assassin; it neither celebrates nor satirizes but questions the priest's 'God's justice'.

The world

ContemporaryUrbanDomesticRealistic
Orchestral classicalElectronicSupportive music · original score · Ariel Mann
SettingA small American town where a priest runs a hitman operation out of his church.
MusicComposed by Ariel Mann and Edward Wohl.

Cast and crew

Who is in Executor?

Cast

Paul Sorvino
as Father Antonio
Mischa Barton
as Tara
Robert Miano
as Isaac
Eric Roberts
as Richard
Cynthia Rodriguez
as Vivian
Tatiana Neva
as Maggie
Robert J. Hawk
as Bodyguard 2
Markiss McFadden
as Kyle
Aidan Betesh
as Matthew
Micah Fitzgerald
as Michael

Crew

More like this

What are movies like Executor?

The closest match to Executor is Road House (2024); both are stories about tyrants.

Balanced: every group counts the same, and production only breaks ties.

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What else shares a premise, people or place with Executor?

445 other films share the rarest tag below, follows: hitman. Each tag opens Browse with the films that share it.