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Asterix at the Olympic Games

Asterix at the Olympic Games

2008116 minNot RatedMidcredits score: 20th percentile of all films
Directors
Frédéric Forestier, Thomas Langmann
Starring
Gérard Depardieu, Clovis Cornillac, José Garcia, Franck Dubosc

Astérix and Obélix have to win the Olympic Games in order to help their friend Alafolix marry Princess Irina. Brutus uses every trick in the book to have his own team win the game, and get rid of his father Julius Caesar in the process.

Where to watch

Where can I watch Asterix at the Olympic Games?

As of October 24, 2026, MovieCove lists Asterix at the Olympic Games streaming on Prime Video and Tubi (free) and to rent or buy on Prime Video.

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Highlights

What stands out about Asterix at the Olympic Games?

Asterix at the Olympic Games earns 3 badges, led by Overhyped and Before they were famous.

  • Reception
  • Craft and mood
  • Cast

Reception

Is Asterix at the Olympic Games worth watching?

Asterix at the Olympic Games' Midcredits score is the 20th percentile of all films, from 99K ratings across 4 sources. 26% liked it (rated it 7 or higher out of 10).

Midcredits score

How well it was received

20th percentile

Better received than 20% of films

24th percentile among Adventure20th percentile among 2000s
Acclaim (how much people like it)27th
Approval (how many liked it)17th

54 /100

27th percentile of all films

31st percentile among Adventure27th percentile among 2000s

Rating distribution

The crowd leans negative, with most ratings sitting in the bottom half of the scale.

Approval

How many liked it

26% liked it

17th percentile of all films

20th percentile among Adventure15th percentile among 2000s
26% rated it 7–1074% rated it 1–6

Reach

How many have seen it

94th percentile

99K ratings across platforms

91st percentile among Adventure90th percentile among 2000s
TMDB popularity, last 37 days to Oct 26Down 7% in 30 days

Box office

Budget€78M

In euro, not converted to dollars.

Worldwide gross$132M

90th percentile earner in its genre.

What reviewers say

Common ground

The film prioritizes celebrity cameos and broad slapstick over a cohesive story centered on Asterix.

Fans praised

  • Alain Delon's self-parodying Caesar with mirror obsession and meta-references
  • Gerard Depardieu’s dependable Obelix, including Cyrano homage
  • Colorful, cartoon-like CGI and set decoration befitting a comic adaptation

Detractors panned

  • Asterix reduced to a side character in his own film
  • Forced, overlong, repetitive gags that lack the comic's subtlety
  • Disjointed plot patched from multiple books with weak narrative flow

What stands out

Cinematography65

Colorful and ambitious but CGI often overused and unconvincing

ActingDivisive55

Delon's campy Caesar praised; Cornillac's Asterix widely criticized as miscast; Depardieu consistent

Effects and spectacleDivisive55

Big budget visible in chariot race and set pieces, but quality inconsistent

DialogueDivisive40

Some witty meta-references but mostly heavy-handed and repetitive

HumorDivisive35

Divisive: fans enjoy self-referential gags, detractors find them forced and childish

CharactersDivisive30

Asterix sidelined, Brutus overused, supporting Gauls reduced to filler

Plot and storyDivisive25

Fragmented love-story frame, strayed far from comic, lacks dramatic structure

Pacing25

Overlong runtime, dull stretches, uneven editing and rhythm

Preferred by

No notable difference between any of the groups: each pair ranks it within 10 percentile points.

  • Women vs men 3 points apart
  • Under-30s vs over-30s 8 points apart
  • Critics vs users 4 points apart
  • US vs non-US 5 points apart

Watch experience

What is Asterix at the Olympic Games like to watch?

Conclusions only — categories and positions, no plot detail.

Easy laugh: browse every movie of this kind

Watch this when you want something light that makes you laugh and does not take itself seriously.

It is gentle and leaves you entertained. Skip it when you want something with weight.

ToneFeelDemandwhat the answer rests onexact position · filled zone: the category

What it asks of you

Very little.

What it feels like

Easy laugh.

Moods
JoyfulAbsurdThrilling
Heaviest: middle
Wry humor: Amused and slightly dry about it.
Register
Absurdist · 7% of films: Deliberately illogical; embraces nonsense.Playful
Told as
Three-act: Setup, confrontation, resolution — the default Hollywood shape.
ToneThe film plays its material at a knowing, ironic distance, filled with anachronistic gags and self-referential humor.
The rideThe film maintains a predominantly light and comedic mood with occasional moments of excitement during the Olympic competitions.
StructureConventional beginning-middle-end structure with a competition climax.

How it leaves you

what you carry away

Entertained.

FunFeel-good
Why it leaves you this wayThe film leaves you with a light, silly grin and a sense of amusement despite its flaws.
How it ends · evidence
Happy ending

Story archetype

where it sits among all films
Monster — 21% of films. A threat menaces the hero's world and must be defeated.Rags — 3% of films. A rise from lowliness to fortune, status, or recognition.Quest — 10% of films. A journey toward a defined objective, with companions and obstacles.Voyage — 4% of films. Into a strange world and back again, changed.Comedy — 11% of films. Confusion and cross-purposes resolved into harmony.Tragedy — 9% of films. A flaw or fixation drives the protagonist to ruin.Rebirth — 13% of films. A stalled or darkened life reopened and renewed.Mystery — 7% of films. A question drives the story — who did it, what happened, what is real — until it is answered.No archetype — 22% of filmsPredator — 6% of films. A creature or killer hunts the protagonists (Jaws, Alien).Tyrant — 6% of films. A human villain holds power over the hero's world (Die Hard).Invasion — 2% of films. An external force attacks the home or world (Independence Day).Oppressive state — 2% of films. A government, its agencies or a secret faction inside them is the monster (V for Vendetta).Corporate villainy — 1% of films. A company or its bosses are the monster (Erin Brockovich).Institutional injustice — 1% of films. A court, prison, police force, school or church is itself the enemy (Spotlight).Class system — under 1% of films. The gap between rich and poor, or a rigid hierarchy, is the monster (Parasite).Technology turns — under 1% of films. Technology people rely on becomes the threat (The Terminator).Inner demon — 1% of films. The monster is within — addiction, illness, a dark double.Underdog triumph — 2% of films. Rise through competition or contest (Rocky).Social ascent — under 1% of films. A climb in class or status (Pretty Woman).Fame and fortune — under 1% of films. An artistic or showbiz rise (A Star Is Born).Rise and fall — under 1% of films. Wealth or power gained, self lost (Scarface).Hidden worth revealed — under 1% of films. The protagonist's true value finally recognized.Treasure hunt — 1% of films. Retrieve an object of value (Raiders of the Lost Ark).Rescue — 4% of films. Retrieve or save a person (Saving Private Ryan).Mission — 5% of films. Accomplish or destroy a defined objective (Mission: Impossible).Journey home — under 1% of films. The goal is getting back (Finding Nemo).Pilgrimage — 1% of films. The journey itself transforms; the destination is symbolic.Portal fantasy — under 1% of films. Transported into another world (The Wizard of Oz).Fish out of water — 2% of films. Displaced into an unfamiliar social world (Elf).Survival ordeal — 1% of films. Trapped in a hostile environment, fighting back (Cast Away).Time displacement — under 1% of films. Unstuck in time (Back to the Future).Descent — 1% of films. A night-journey into an underworld or subculture (After Hours).Romantic comedy — 4% of films. Lovers kept apart by confusion, united at last.Comedy of errors — 3% of films. Mistaken identity or misunderstanding drives the plot.Farce — 2% of films. Escalating absurd chaos and coincidence (The Hangover).Buddy comedy — 1% of films. A mismatched pair forced together (Rush Hour).Comedy of manners — 1% of films. Social codes and class satirized (Clueless).Hubris — 1% of films. Pride or ambition invites the fall (There Will Be Blood).Obsession — 2% of films. A fixation consumes the protagonist (Black Swan).Corruption arc — 2% of films. Step-by-step moral decay (The Godfather).Doomed love — 2% of films. Love destroyed by circumstance (Brokeback Mountain).Crushed by fate — 3% of films. Destroyed by forces beyond the protagonist's control.Redemption — 3% of films. Moral reawakening of a hardened soul (A Christmas Carol).Healing — 5% of films. Recovery from grief or trauma (Good Will Hunting).Liberation — 2% of films. Breaking free of a confining life (Room).Second chance — 2% of films. A stagnant life re-opened to love or purpose (Groundhog Day).Puzzle — 1% of films. A clue-by-clue puzzle you can try to solve before the reveal (Knives Out, Clue).Investigation — 5% of films. A long pursuit of the truth that may never be fully solved (Zodiac, Memories of Murder).Enigma — 2% of films. The mystery is what is real, or what is actually happening (Mulholland Drive).Comedy
Every story archetype, clockwise from the top
  • Monster 21%: Predator 6% · Tyrant 6% · Invasion 2% · Oppressive state 2% · Corporate villainy 1% · Institutional injustice 1% · Class system under 1% · Technology turns under 1% · Inner demon 1%
  • Rags 3%: Underdog triumph 2% · Social ascent under 1% · Fame and fortune under 1% · Rise and fall under 1% · Hidden worth revealed under 1%
  • Quest 10%: Treasure hunt 1% · Rescue 4% · Mission 5% · Journey home under 1% · Pilgrimage 1%
  • Voyage 4%: Portal fantasy under 1% · Fish out of water 2% · Survival ordeal 1% · Time displacement under 1% · Descent 1%
  • Comedy 11% (this title): Romantic comedy 4% (this title) · Comedy of errors 3% · Farce 2% · Buddy comedy 1% · Comedy of manners 1%
  • Tragedy 9%: Hubris 1% · Obsession 2% · Corruption arc 2% · Doomed love 2% · Crushed by fate 3%
  • Rebirth 13%: Redemption 3% · Healing 5% · Liberation 2% · Second chance 2%
  • Mystery 7%: Puzzle 1% · Investigation 5% · Enigma 2%
  • No archetype 22%

Comedy: Confusion and cross-purposes resolved into harmony. · Romantic comedy: Lovers kept apart by confusion, united at last.

11% of films fit this archetype

A loose fit — the map only half-holds this one.

Why this archetypeA lovesick Gaul enters the Olympic Games to win a princess, competing against the Roman Brutus. The story follows a comedic rivalry and the athletes' antics.

What it's about

7 groups · 53 themes
Bonds — 27% of filmsSelf — 22% of filmsPower — 7% of filmsMorality — 16% of filmsSurvival — 15% of filmsSociety — 9% of filmsIdeas — 5% of filmsRomantic love — 15% of filmsMarriage — 2% of filmsFamily bonds — 21% of filmsParenthood — 2% of filmsFriendship — 9% of filmsLoyalty — 4% of filmsIdentity — 14% of filmsComing of age — 5% of filmsAging — under 1% of filmsSelf-worth — 7% of filmsAmbition — 7% of filmsPurpose — 9% of filmsMemory — 3% of filmsObsession — 3% of films. A fixation consumes the protagonist (Black Swan).Power — 2% of filmsCorruption — 3% of filmsGreed — 3% of filmsClass — 3% of filmsOppression — 4% of filmsFreedom — 5% of filmsJustice — 13% of filmsDuty — 2% of filmsRevenge — 4% of filmsGuilt — 3% of filmsRedemption — 6% of films. Moral reawakening of a hardened soul (A Christmas Carol).Forgiveness — 1% of filmsSacrifice — 4% of filmsBetrayal — 5% of filmsDeception — 9% of filmsSurvival — 17% of filmsWar — 1% of filmsViolence — 4% of filmsMortality — 2% of filmsGrief — 6% of filmsTrauma — 7% of filmsMental illness — 1% of filmsAddiction — 1% of filmsIllness and disability — under 1% of filmsCommunity — 14% of films. Consequences reach a town, institution or group.Isolation — 5% of filmsPrejudice — 3% of filmsDisplacement — 1% of filmsFaith — 3% of filmsTradition vs change — 2% of filmsFame — 3% of filmsLegacy — 4% of filmsFate — 1% of filmsFree will — under 1% of filmsTruth — 4% of filmsHope — 5% of filmsNature — 2% of filmsArt — 4% of filmsTechnology — 1% of filmsSelfRomanticlove
Every theme, clockwise from the top
  • Bonds 27% (this title): Romantic love 15% (this title) · Marriage 2% · Family bonds 21% · Parenthood 2% · Friendship 9% (this title) · Loyalty 4% (this title)
  • Self 22%: Identity 14% · Coming of age 5% · Aging under 1% · Self-worth 7% · Ambition 7% · Purpose 9% · Memory 3% · Obsession 3%
  • Power 7%: Power 2% · Corruption 3% · Greed 3% · Class 3% · Oppression 4% · Freedom 5%
  • Morality 16%: Justice 13% · Duty 2% · Revenge 4% · Guilt 3% · Redemption 6% · Forgiveness 1% · Sacrifice 4% · Betrayal 5% · Deception 9%
  • Survival 15%: Survival 17% · War 1% · Violence 4% · Mortality 2% · Grief 6% · Trauma 7% · Mental illness 1% · Addiction 1% · Illness and disability under 1%
  • Society 9%: Community 14% · Isolation 5% · Prejudice 3% · Displacement 1% · Faith 3% · Tradition vs change 2% · Fame 3% · Legacy 4%
  • Ideas 5%: Fate 1% · Free will under 1% · Truth 4% · Hope 5% · Nature 2% · Art 4% · Technology 1%

Bonds

Romantic love · 15% of filmsLoyalty · 4% of filmsFriendship · 9% of films
Celebrates its theme: Affirms its theme — this is good and worth having.Community stakes: Consequences reach a town, institution or group.Dual lead
How it treats its themeThe film revolves around the pursuit of romantic love (Lovesix's goal) but heavily depends on the loyalty and friendship between Asterix and Obelix as they support his quest.
StanceThe film celebrates the camaraderie and the pursuit of love, presenting them as inherently positive and rewarding.

The world

AncientRuralStylized realism
Orchestral classicalSupportive music · original score · Frédéric Talgorn
SettingAsterix's village in Gaul and the Olympic Games venue
MusicA sweeping orchestral score that underscores the heroic and comedic beats of the adventure.

Content guide

Is Asterix at the Olympic Games okay for kids?

Not Rated

Asterix at the Olympic Games is not rated. As of October 3, 2026, Midcredits content scores put its violence at mild (33/100), sexual content at minimal (8/100), language at minimal (7/100), drug and alcohol content at mild (17/100) and frightening material at minimal (8/100). None has enough votes to rank yet.

Ratings in 16 other countries
  • AustraliaPG
  • Germany6
  • FranceTP
  • BrazilL
  • BelgiumAL
  • CzechiaU
  • Denmark7
  • Hungary12
  • LTV
  • Netherlands6
  • Poland12
  • PortugalM/6
  • ROAP
  • Russia18+
  • Spain7
  • Switzerland12
Overall
Mild · all five categories
not ranked
Violence & Gore
Mild
too few votes to rank (4 votes)
Sex & Nudity
None / Minimal
too few votes to rank (4 votes)
Profanity
None / Minimal
too few votes to rank (5 votes)
Alcohol & Drugs
Mild
too few votes to rank (4 votes)
Frightening / Intense
None / Minimal
too few votes to rank (4 votes)

Too few votes to rank this title overall (21 votes across 5 categories; ranking needs 10 in at least three).

Source: Midcredits content scores, 0 (none) to 100 (severe) per category, with each standing ranked against other films that have them.

What content warnings does Asterix at the Olympic Games have?

Not screened for content warnings yet.

Cast and crew

Who is in Asterix at the Olympic Games?

Cast

2 of the cast already had the standing of a top-10% working actor.

Gérard Depardieu
as Obélix
Established: A standing when this film came out that a top-10% working actor has today.Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
Clovis Cornillac
as Astérix
Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
José Garcia
as Couverdepus
Franck Dubosc
as Assurancetourix
Top draw: One of the 3 biggest draws in this cast: billing here weighted by career star power.
newcomer then · star now
Stéphane Rousseau
as Alafolix
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.
Jean-Pierre Cassel
as Panoramix
Veteran: 15 or more years in, with as much work as the typical long-career actor.
Mónica Cruz
as Esmeralda
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.
Alain Delon
as Jules César
Established: A standing when this film came out that a top-10% working actor has today.
Benoît Poelvoorde
as Brutus
Vanessa Hessler
as Princesse Irina
Newcomer: A standing when this film came out that sits in the bottom quarter of working actors today.

Crew

More like this

What are movies like Asterix at the Olympic Games?

Movies like Asterix at the Olympic Games include Asterix & Obelix: Mission Cleopatra (2002), Asterix and Obelix vs. Caesar (1999) and Asterix in America (1994). Of the 12 closest matches, several are films written by Albert Uderzo, and several are films set in ancient times.

Balanced: every group counts the same, and production only breaks ties.

Explore by

What else shares a premise, people or place with Asterix at the Olympic Games?

1.5K other films share the rarest tag below, follows: warrior. Each tag opens Browse with the films that share it.